Somewhere in the Arctic...

Grimes, an amoral chimney sweep, occasionally likes to steal valuables from his clients. One day, on the verge of being caught, he frames his young apprentice, Tom, for the crime. Tom runs away and jumps into a river where, instead of drowning, he finds himself transformed into a mystical aquatic creature. Swimming and breathing effortlessly, he discovers a colorful underwater world replete with creatures both cruel and kind.

An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.

Krumins’ fantasy sets the world of flora and fauna on its ear. At one moment grotesque greenish mushrooms grow, wither and reverse their life-cycle, at another, strange crustacean-like animals speed around on a bed of feathers, next a room is inundated with giant ladybugs… Preserved by the Academy Film Archive in 2009.

Shorts from Radiator Springs

Jane Conger Belson Shimane's first film, Logos, premiered in 1957 and was screened at festivals in North America, Europe, and Latin America. The animated film featured an electronic score by Henry Jacobs. Preserved by the Academy Film Archive in 2001.

His recent animation Kablunât: Legend of the Origin of the White People (2016) draws from a Nunatsiavummiut legend recorded by a Moravian missionary. Making use of archival photographs collected over nearly nine years, Gear reinterprets the legend for a contemporary Inuit audience, while framing the story as a reclamation from colonial retellings. “I wanted to literally insert myself in that narrative, break it apart and see what was there in a kind of dreamlike way,” he notes.

An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment. Preserved by the Academy Film Archive in 2004.

When a lonely polar bear can't find a friend... he makes one. Set in a rapidly changing world, "Snow Bear" tells the story of a polar bear in an unforgiving environment on his quest to find a friend. This independently produced 2D hand drawn film was painstakingly created entirely by Aaron Blaise over 3 years.

NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film/video hybrid that points fun at romance, sexuality, and love in our post-industrial age. Preserved by the Academy Film Archive in 2017.

A film representing the early efforts of Pixar to explore all elements of CG processes such as animation, shading, lighting, rendering and effects.

Beckett cycles through a limited number of drawings, but adds new information to each drawing every time we see it, giving the sense of a world that is infinitely rich and also obviously contained tightly within the edges of the paper. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

In Flesh Flows we see a balance of Beckett’s keen drawing ability, in the probing erotic forms, and his technical acuity, which transforms the carnal images into a compelling, transcendent experience. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

When Day, a sunny fellow, encounters Night, a stranger of distinctly darker moods, sparks fly! Day and Night are frightened and suspicious of each other at first, and quickly get off on the wrong foot. But as they discover each other's unique qualities--and come to realize that each of them offers a different window onto the same world-the friendship helps both to gain a new perspective.

"Light animation and original poetry in this initiatic journey by Dennis Pies, who is now known as Sky-David." - Daily Psychedelic. Preserved by the Academy Film Archive in 2013.

When Grizz, Panda, and Ice Bear's love of food trucks and viral videos get out of hand, the brothers are now chased away from their home and embark on a trip to Canada, where they can live in peace.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart.

Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.

Moon Breath Beat is a hand-drawn experimental 2D film that depicts a woman and her two cats and how external forces such as birds and the moon impact their lives. Preserved by the Academy Film Archive in 2016.