Ryan Reynolds: I'm a Laureate?

Comments on the background and popularity of disc jockey "Emperor" Bob Hudson, who bases his shows on the idea that radio is a fantasy.

New York v čase korony

Self Storage is a true-to-life comedy about a completely unique, unknown, hidden world. Down these endless halls, behind these bolted doors, there are more than just lockers full of forgotten stuff.

A surrealist short following the 'timeless' hunter on his eternal prowl.

The chaos on the streets of Vancouver that unfolded in the wake of the Canucks’ loss in the 2011 Stanley Cup Finals is revisited from dozens of perspectives.

During the worst gig of his life, a piano player wrestling with failure, fatherhood, and marriage has a surreal encounter that suggests he's been playing the wrong song all along.

Mike is a guy who once tried to be famous on the internet, but failed and decided to give it up. Almost 3 years later, his "influencer" personality haunts him with the guilt of not having done anything better with his life.

Max is moving out of his studio, so Ko-Ko the Inkwell Clown packs up everything in sight (even using a super-charged vacuum cleaner that sucks up the furniture and the moving men).

Mired in a concussed haze, an ex-NFLer struggles to adjust to life off the field during Super Bowl Sunday.

Fve boys have made a pact to be true to their crew and never allow girls to get in the way. But things look to change as their ring-leader, Brad, finds interest in a new girl at school.

One of Han Ok-hee’s renowned pieces called The Hole uses the flicker, oblique angles, the cross-cutting of reality and fantasy to express inner entrapment and the desire for liberation. Han Ok-hee’s The Hole, The Rope and Untitled not only experimented with cinematic forms of expression, but also played an important role in the protest against forms of expression in experimental films and the artistic protest against the social suppression and censorship in 1970s Korea. (Art Cinema OFFoff)

This documentary shows the construction of a high-altitude dam by the Sabbioni Glacier, and the daily struggles of the workers, now anxious for the outbreak of a mine, now silent for the nostalgia of the distant family.

A genderqueer college student rushes several fraternities in the hope of finding long awaited acceptance.

A documentary film about the cherished tradition of costuming during Mardi Gras in New Orleans. Members of the city's colorful costuming community share their unique traditions while gathering at the epicenter of all things costuming - the family-owned fabric store, Jefferson Variety.

A true story behind the notorious Miami face-eating cannibal and how the Miami Heat won the NBA title in 2012 despite one of their star players being an interstellar prince who was called away to do battle with evil foes bent on finally making the Internet completely useless.

Children Who Draw explores the delicate chemistry of school children interacting in an art class through a constant juxtaposition of observational black-and-white portraits of the young children with lyrical passages shot in vivid color exploring their imaginative and expressive paintings. Experimenting with color as an intimate expression of the children’s inner worlds, a tool for deeper psychological investigation, Hani allows his camera to roam freely across the drawings, “de-framing’” and enagaging the artwork in a manner reminiscent of Alain Resnais.

After his legs walk out on his body a man visits a therapist to find a way to put himself back together.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

David is rejected by the Academy of Arts before he can even begin. But instead of leaving, he infiltrates, becoming a ghost in the institution. He launches his resistance by plastering posters reading 'Go To Hell Goliath'. His true opponent is not just bureaucracy, but the dean herself – Ms. Goliath, the face of institutional power.

Down to Earth