The Pink Auto

Aggression, Schroeter’s first 16mm film, is the fictive portrait of a woman who is oppressed by her (unseen) boyfriend.

In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.

The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

An afternoon in the park takes a dark turn in this tale of circumstances re-defining who we are.

An 18-minute long single-channel video which uses CNN footage cut so that each word is spoken by a different newsperson. The pieces literally asks the viewers questions about media authenticity and give CNN a distinct voice

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

One of the earliest posing-pouch films to feature sound.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Elena and Lucía are lovers. They meet in a hotel room in order to escape from their monotonous lives. Elena is about to discover that the universe, just as their love, extends far beyond that hotel room.

The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.

One man band arrives to a small town to play his music but he is welcomed by an unexpected tough audience.

Jia Zhangke’s short for Modern Weekly’s special tenth anniversary issue.

You may look at it like “It is about a woman in a jeepney who keeps on babbling – sharing her ideals and personal issues – as if you are listening to a live commentary and an audio diary at the same time” or “The passenger(s), the driver, the 10 Commandments, the window, the high tech lifestyle and the high tech love life, the rumors, the government, the reality TV shows, Death, the family…”

An experimental short film from Toshio Matsumoto featuring Mona Lisa.

The second half of Gustav Deutsch's experimental Film ist. series, constructing new narratives and moods out of existing footage, mostly from early silent era films.

A young father listens to his wife soothing their newborn child over the baby monitor. What could possibly go wrong?

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

About the English musician, composer, record producer, singer, writer, and visual artist, Brian Peter George St John le Baptiste de la Salle Eno, made shortly after his departure from Roxy Music. Featuring the recording sessions for Eno's record "Here Come the Warm Jets". A long lost documentary.

A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.