Strangers

COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.

An aspiring screenwriter and a seasoned producer try to work out problems regarding their upcoming collaboration. One of the two will have to compromise, adding milk to his coffee.

Alexis is a serial killer who collects his victims' attributes and skills. Angelos, an aspiring writer, becomes obsessed with Alexis and tries to decode his personality in order to write the perfect book.

Niva rieky Latorice

A jerk husband Sandro and his young wife Giulia have moved into a new apartment. She is unpacking, and he his lounging in the bath. When his brother Walter comes over to deliver a new wall mirror. The brother makes a pass at the young wife, as he has secretly wanted to do for years.

Just when he is about to move in with his girlfriend, Michel is overcome with anxiety. To avoid commitment, he'll convince himself he's homosexual.

"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Steve is kicked out by his parents, who do not accept his homosexuality. Caroline, on the other hand, is struggling to mourn her motherhood as she accompanies Youri on on tour. Fate intersects, soon to be united, life and death.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

A writer taking a rest in a country hotel is obsessed with a strange woman in the same hotel. The woman seems to observe him in provocative ways, but he does not dare to approach her. One day he follows her to her room and listens to strange “erotic” sounds from inside, and begins to have erotic thoughts.

Walking in her home, Evelia experiences the past, the present and the future at the same time. In the symbolic life she leads, governed by the god Janus, everything around her seems to speak to her, until random visions are born poetic. Through the trance state that awakens the inner gaze, Evelia's anima connects with the anima mundi. Simonetta's eyes is about the memory that a person will leave behind; Evelia tells the viewer, with the language of the gaze: "one day, we will only be memory".

In 60 seconds.

During Napoleonic wars, a young idealistic drummer, in search of glory, arrives on the battlefield and discovers the horrors of war.

After a mysterious electro-magnetic pulse renders the world's technology useless, a young girl finds herself isolated and alone with only her father's strict set of rules to keep her alive.

Short about the daily life of the Apaches, including their ceremonies.

Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.

A short film depicting adolescence.

Christened for the Greek mythological personification of human memory, MNEMOSYNE, MOTHER OF MUSES is Larry Gottheim's facsimile edition of how one reflects on life and experiences (namely, in flashes and excerpts of sound and imagery). Typically known for his avant-garde, single-shot meditations on nature, Gottheim here provides a palindromic quotation of his own memories, including street corners, movie quotes, family members and Johnny Hartman tunes.