A Thousand Women Like Me

Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.

Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.

Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?

A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.

After collapsing during rehearsal, Yuri struggles to understand her mysterious medical condition and her even more enigmatic hospital-ward neighbour. Both patients are forced to confront the link between mind and body in vastly different ways.

A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...

Minja, a 19-year-old girl leaves her provincial town after her affair with the professor of drawing in order to avoid the scandal. In the big city, she meets Nenad and changes under the influence of love.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that's just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.

A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.

At times of changing gender roles, a tinder date encourages young Leonid to live his own definition of "masculinity". A current reflection on love, sexuality and role models.

Two homicide detectives investigates the murder of a woman ...

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

In a small valley, riders pursue and kill a man. A horse thief, so his assassins claim. But for his ten year old son Issa, the disappearance of his father causes an avalanche of problems. With the family name stigmatized, Issa is bullied by the other children in the village. While his mother fights to clear her husbands name, Issa is left to his own devices. But unexpectedly, his solitude gives birth to his freedom, his real passion, horses.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!