A Thousand Women Like Me

Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

"When you get to a man in the case, they're like as a row of pins - For the colonel's lady an' Judy O'Grady are sisters under their skins." - Kipling. Polly writes for a magazine producing glamorous makeovers for young women. Befriending a member of the women's movement prompts her to re-examine her own feminist values.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse. Progressing along a rough timeline from birth to death, each story is shot in a static camera angle as a single petitioner negotiates with an authority figure hovering just outside of frame, who is practiced in the language of doublespeak.

A young woman discovers second-wave feminism, while meeting with her estranged half-sister, as they encounter the grief, rage, jealousy and injustice that govern their lives. The academic and political discussion of women's liberation and feminism (as part of the sexual revolution of the 1970s) draws inspiration from 'The Scum Manifesto' by Valerie Solanas and juxtaposes these passage with country music from the same era; notably 'The Pill' by Loretta Lynn, 'Just Because I'm A Woman' by Dolly Parton and, most centrally, 'Stand By Your Man' by Tammy Wynette.

The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.

Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Behzad, who has been in prison for manslaughter for a long time, has a son who does not know about him. When he is introduced, the son goes through a conflict. Then, as a family, they go to the victim's family seeking consent so Reza would be released.

A young homeless girl supports herself as a surrogate mother for money. A human rights attorney tries to help her change her life, but ithe challenges seem insurmountable. This is a rarely seen side of Iranian society.

Women in a failing silk factory, fight to find a way to keep their jobs.

María, a young student of Fine Arts, decides to spend a weekend with Julio, her partner, in the house of her parents' town. Once there, the young woman will have to face a reality already forgotten. The solid mentality of her family means that practically nothing has changed in the life of his brother Hugo and his father, Arturo

One woman taxi driver in Bucharest is hoping for a conventional relationship.

América, do Sul

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).

Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated.

A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.