A duty-bound rooster fights ancient stone monsters to defend his witless hens.
A popular Los Angeles radio DJ, Maurice Manning, finds himself trapped in the Virgin Islands. Thrown into a battle between an island mystic and the criminal underworld of payola and illegal drugs. It's a harrowing trip that rips him out of his self-absorption toward redemption. Believing he is in control of his world, Maurice uncovers the dark figures pulling the strings of his career through Zerai, a prophet, poet and warrior, whose life-long goal is to keep the islands safe. For the first time in his life, Maurice feels compassion for humanity and discovers how he has been manipulated. He finally learns his lesson in a life and death struggle. The revenge Maurice wreaks upon the criminals may not save his heart, but perhaps, will save his soul.
Live action debut of CHRZU, the Finnish multi-talent behind a number of award-winning animated shorts (Curse of the Remote Island). Starring the members of the laser metal trio Nightsatan and set in the year 2034, the film is a nod to the 1980s exploitation and scifi movie aesthetics – especially the classics of the Italian post apocalypse genre – with a hint of influences from Sergio Leone and Alejandro Jodorowsky. The soundtrack features material from the next studio album of Nightsatan, due out in 2014.
Short mock trailer attached to select Canadian screenings of "Grindhouse."
Feeling entitled to more than she truly deserves, Claudia Davis decides to take on a new persona and begin robbing convenience stores.
New Moon
A guy gets into a gun fight inside a parking lot building, Will he make it out alive?
Short tourist film set on a tropical island where a sailor falls in love with a native girl.
A doctor performs an experimental breast enhancement procedure to be able to remotely enhance a woman's breast size. Unfortunately a surge of electricity brings her boob to life! Run Boob, run!
Danny ponders a way for rival gangs to avoid violence at an upcoming dance.
The annual ghost convention introduces swing music to their tired out old scares.
A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
A husband and father starts to dig a hole in his backyard, for no apparent reason.
The Trolls, Princesses, Glooms, and Engineers must join forces to defeat Silence.
The DLFA was a haphazard assortment of young misfits unified by their unwavering pursuit of climbing, partying, and testing the boundaries of socially acceptable behavior. During the late 1970s and throughout the 1980s they established bold first ascents at Devil's Lake State Park and elsewhere in the Midwest. Their spirit of youthful nonconformity and brash rebellion is enshrined in the group's full name: The Devil's Lake Fukness Association.
When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.
The comforts of home are sacred, sweet and beloved. Mark had all of that... a beautiful wife, an angelic daughter, a purpose. His role was simple: To provide and protect. There was just one problem. Mark never learned how to stand up for himself. He lacked self-confidence and avoided confrontation for his entire life. For the most part, his fears went unnoticed and he was able to cloak his nervousness, until the day that everything around him changed. Mark finds himself in the middle of a very dark and terrifying predicament and is left with only one choice. He can stand up and fight, or lay down and die.
Andy Gump is a clueless yokel that decides that he can run for President.
The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.
As the gap between a burning airplane and the ground gets smaller, one passenger has other things on his mind!