The Reformation of Sister Edith

A young man searching for his missing girlfriend. An unconditional friend willing to do anything to uncover the truth. An investigation that culminates in an old house. Inside await two brutal murderers, armed with twenty-five boxes of explosives that were lost since the last military dictatorship.

After being abandoned in the desert by his abusive stepfather, Phillip finds himself cruelly cast into a game of life or death until a beautiful orphan named Lucy and her boyfriend Jack come to his rescue. The three runaways patrol the desert and live as petty thieves, but they soon find that the fight for survival against nature may become a fight for survival against each other.

Jorge Colon's SIN ELLA shows us how much a family member can guide the values and lives of the others, even when absent. Set in present-day Mexico City, the story follows Gastón (Luis Roberto Guzmán, in a striking performance different from his action-man TV roles), a successful TV producer who has to learn how to be a good dad for his teenage daughter and younger son after an accident, which challenges the family not only to cope with the pain of the tragedy but also to improve their lives. With outstanding performances by all cast members and an attractive soundtrack, this drama and its dose of magical realism are bound to make its audience reconsider what family truly means.

33-year-old Roman decides to tackle his drug addiction by undergoing group therapy as part of a community holed up on an isolated farm in the Šumava mountains. Twelve people, men and women of varying ages and social status, voluntarily subject themselves to a tough regime under the supervision of three therapists. Many of them have stared death in the face already – overdoses, suicide attempts, and aggression heightened by the use of hard drugs, outwardly affecting even the strongest of them. Each brings something of his past into the group, which he has to experience again, both for himself and for those assembled. Past anguish, wrongs and guilt give rise to new problems: in this thickening atmosphere of suspicion and lies, who can still be trusted? This intimate psychological drama deliberately sets out to break up the tight narrative form through retrospectives in which we learn about the past life of each individual.

A research vessel finds a sunken Crusader ship off the Turkish Mediterranean coast. The ship sank in 1369 en route from Cyprus to Armenia .

Karl and Paula work as specialist divers in Vienna, while their former friend Fred runs a diving school in Croatia. While surveying Vienna's underground, Karl and Paula come across a system of catacombs in which they discover valuable burial objects and a mummified corpse with numerous tattoos. When Karl has an accident during his explorations, Fred is asked for help by Paula. Neither of them suspect what they will soon be involved in.

Joyce thought she had made the dream marriage. Her husband, Stan, is a successful, handsome dentist, and Joyce, who grew up in poverty, cannot believe her good fortune. But her charismatic husband has a dark side that is about to engulf and destroy Joyce's entire world.

A killer has found a way to kill women without committing the crime. He gets them to fall in love with him, like Isolde falls for Tristan in the epic poem, and then he leaves them. Heartbroken they choose suicide, just like Isolde.

A true story of Peter Kurten, a serial killer who committed nine murders and many other offenses in Dusseldorf during the Great Depression era.

Quando o Medo Bate à Porta

Susan's baby dies, and she is convicted for a crime she doesn’t even remember committing. Years later, out on parole and fighting to start over, Susan sees a photograph that stops her cold.

A man wakes up tied to a chair, but when his captor shows signs of killing him, he must escape.

Naina, a simple village girl chasing her dreams in Bhubaneswar, finds love with her charming colleague Prem, until one shocking night turns her world upside down. Arrested in a high-profile drug smuggling case, she must fight to prove her innocence as a dark conspiracy begins to unravel, testing love, trust, and survival.

Juliusz Słowacki’s drama “Balladyna” is one of the author’s most recognizable works. The television production was directed by Wojciech Adamczyk. The play, written in 1834, arose from a fascination with Slavic culture, and its plot was inspired by Shakespeare’s “A Midsummer Night’s Dream” and “Macbeth.” In his interpretation, Wojciech Adamczyk eschews the ludic elements, giving the story a darker character. The conflict centers on the relationship between two strong female characters: Balladyna and Goplana. Filled with lust, crime, and blood, it’s a story that rivals the emotional depth and richness of Game of Thrones or The Witcher. The world Słowacki describes is dark and dense with passion. The exotic landscape of European pagan mythologies is combined with early Christian aesthetics. Viewers accustomed to “school-style” interpretations of the play will be surprised by the poignantly contemporary vision of human fate in an original approach.

Katiliyle Kahvaltı

After Islamic terrorists hijack a college's pro-Palestine encampment with the goal of enforcing Sharia law on students and executing dissidents whom they deem "infidels", a group of students, a security guard, and a Delta Force veteran team up to fight back.

September, a young runaway, is caught up in a dark world of prostitution and murder. She befriends a stranger who is the number one suspect of a series of murders. His dark past holds to the key to September's future.

A young man finds himself torn between the love for his girlfriend and his family's hardship.

Karl Weiss and Richard Schvitz find themselves trapped in a mysterious apartment complex during a winter storm with a killer on the loose.

Ten years after graduation, a mini-reunion is organized by Tom and Jill Miller at their home, inviting only the special friends that were in their clique and one fringe member, Bobby Zwick, whom they had done a terrible wrong. Bobby said all was forgiven, but he was not telling the truth.