An ageing Kaalidhar escapes his family after overhearing their plans to abandon him. He meets the free-spirited Ballu, and they embark on an adventure to tick things off Kaalidhar's bucket list.
Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.
Din Dayal Sharma works as a Head Clerk and lives with his wife, Godavari; 3 sons Vijay, his wife Uma; Shiva and Vidyasagar; and a daughter named Rajni. Their standard of living is middle-class and all three males contribute to this lifestyle with Vijay contributing the most as he is a Chartered Accountant. When the time comes for Rajni's marriage, she refuses to marry Jagmohan's son, and wants to marry a Christian by the name of Peter Fernandes. The marriage takes place, and she re-locates to the Fernandes' house.
Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .
A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.
A son, banished from his village for refusing to worship a false idol, bears witness to the brewing conflict beyond that may likely destroy civilisation itself.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.
"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.
In coming to grips with previously well-concealed information about the death of her uncle in World War I, and the emotional upheaval it continues to cause her family, a young girl begins to question the benevolence of God and the order in God's world. Based on the short story by Margaret Laurence.
This is a story of feudalism in it's raw state. The tonga and a certain simplicity of the village folk is exploited by the Jagirdar and his cohorts. Until the Chowkidar and a doctor -the only son of the money-lender- who initially obtains goodwill by curing people, and providing financial assistance for recovery want to start a change. The influence of the Jagirdar, incites the villagers and his thugs frame the Chowkidar, the doctor and threaten the well being of two women. Throught the film the Jagirdar deals with the sins of his father, will he be able to be a man, and acknowledge the crime of his father?
The story is about King Karma Dev who gives a lot of importance to physical beauty. His mother, the Rajmata requests Mahamantri Munjal to find him a nice wife. Karma Dev often dreams of marrying an unknown beautiful woman he had once seen in the Somnath temple. Meanwhile, Mrinalla is the princess of Karnataka, who also dreams of marrying a king she had once seen in the Somnath temple. When Munjal happens to see the beautiful woman Mrinalla, he shows the King's portrait to her and she is happy to finally find the man of her dreams. So she runs away from the palace and searches for Karma Dev to marry him. Soon after, Munjal shows Mrinalla's painting to Karma Dev, who agrees to marry her. On the day of the marriage, the King finds out she is dark and refuses to marry her. After several incidents, Karma Dev realizes his mistake and at last he happily accepts Mrinalla as his Patrani.
An enigmatic, existential enforcer for a small-time local crime boss does not suffer fools gladly. Unfulfilled and compromised by his life and the pointlessness that surround him, he detaches -- and methodically explores life's transitory nature in a surprising way. ICE is not a brooding film -- with flashes of humor and quirkiness -- it is a film about hope.
An urban legend says that lighting fireworks at an abandoned airfield will beckon the "summer ghost," a spirit that can answer any question. Three teenagers, Tomoya, Aoi, and Ryo, each have their own reason to show up one day. When a ghost named Ayane appears, she reveals she is only visible to those "who are about to touch their death." Compelled by the ghost and her message, Tomoya begins regularly visiting the airfield to uncover the true purpose of her visits.
Banshi and Purniya decide to take a loan in order to earn quick money. However, their life takes a turn when they are required to pay the debt.
New to BDSM, military officer Lee Jun Zhong meets DT, master of human dogs. One late night, Lee calls DT. Given a task to prove his loyalty to the master, will Lee be able to overcome his doubts and fear?
Preeti, a wealthy woman, is in an intimate relationship with Prem, but her father disapproves and devises a plan that leads to their breakup. Years later, Preeti is reunited with Prem in a completely different situation.