Cheila

Marta, a single mother promised to an older farmer in the aftermath of WWII, forges an unlikely friendship with Lorenzo, the village's openly gay "wedding planner." In the conservative backdrop of rural Southern Italy, Lorenzo introduces her to a hidden community of gays, sparking Marta's journey to challenge societal prejudices. In the first year of women's suffrage in Italy, Marta navigates her evolving role as a woman, breaking barriers and finding her place in a changing world.

The road can be long when allowing yourself to love again. Shy and self-effacing Léo leads a solitary existence, but an encounter with the confident Thom turns his world upside down.

The colour pink has been ascribed many meanings, from a reflection of the feminine to a symbol of reclaimed humanity by LGBTQ2S communities. In his latest work, avant-garde filmmaker John Greyson explores the colonial implications of the colour pink, from its association with activist movements to its colouring of the water in Grassy Narrows due to mercury poisoning. Pink this.

Lettre à un amant is the final chapter of Paradis’ video trilogy. It deals with a couple's break-up. It is both a letter and a reflection, and it concerns giving of one's self, sharing and exchanging. It is also a response to the other person's flight, the absence, the void. The images attempt to replace the fear and silence. A need sublimated in the exacerbation of pleasure conveyed by images and sounds, Lettre à un amant is a masterful conclusion to the series. At the same time, it poses several questions about the dichotomous love-image paradox present in love. This work also refers to an earlier work by Marc Paradis, La Cage, because of its erotic homosexual content and its many electronic applications. Richard Anger's original score was composed to emphasize the dramatic aspect while several processes proper to the video medium serve to peg the images in an aesthetic approach.

43-year-old Armand Lacourtade, a man who sells farm machines in the country, is getting sick of his homosexual life. When he encounters a young girl called Curly, he changes sides. Chased by her parents and the police, they brave all dangers to live this forbidden love and become an odd couple. But is it really what Armand dreamed about?

Filip tries to reconcile himself with his new life after his long-term boyfriend broke up with him.

Apollon is a teenager hung up by the social ideals of masculinity. He fantasizes about having the perfect body - complete with big beefy muscles and a big banana.

This 20th anniversary production of Jonathan Harvey's play about two working class teenage boys falling in love on a south east London council estate was captured by Digital Theatre live at the Arts Theatre in London's Leicester Square.

A short scene about a breakup between Lucy and Zelda, who's relationship has been put to the test recently.

Complicated relationship between a straight couple and a gay boy.

Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.

Miguel and Johnny know each other since childhood. They are dedicated to skate and have fun. To earn easy money and continue skating, they sell their own blood to a clandestine contact in a hospital. The activity becomes business until a large transaction is not as they imagined.

With his life already in shambles — his girlfriend just dumped him, he's lost his acting gig, and his cat is seriously ill — sad-sack Jimmy Zoole (Steve Guttenberg) comes home New Year's Eve to find a gay burglar (Lombardo Boyar) looting his apartment. Taking the intruder hostage, Jimmy threatens to unleash his pent-up rage on the would-be thief but instead begins to bond with his captive.

Rich Bradford seems like your everyday great boyfriend. He has a good job, a nice car and the perfect girlfriend, Amanda. What she doesn't know about him is that he is only after one thing. His best friend Stu from college days knows how much of a womanizer Rich really is. When the day comes that Rich thinks he is finally going to romance Amanda, he is interrupted by her gay friend David who walks in on them. The same day he is dumped by Amanda is Rich and Stu's fraternity reunion. How can Rich go alone? All of his fraternity brothers always saw him with a girl. Stu on the other hand gets a visit from an old fraternity brother he has kept in contact with over the years. Much to Stu's surprise, when the brother comes, he is now a beautiful woman, Erica. Stu brings Erica to the reunion and she catches Rich's eye. Will Rich finally get his just desserts or will he realize in time that his dream girl used to be a man?

Voyeuristically exploring a relationship between two young men, which falls into the gray area between the sexual experimentation of adolescence and the world of adult emotions, Between the Boys glimpses into one of the few remaining taboos of current times.

Once upon a time in the village of Kromer lived two beautiful young wolves. Cocksure Gabriel takes newcomer Seth under his paw and helps reconcile him to the vilification associated with being a wolf. They fall head-over-heels in puppy love, playing together around picturesque waterfalls, secluded woodlands, and moonlit lakes. One day a wicked old crone and her goofy sidekick kill their mistress, frame the wolves, and incite a torch-bearing mob of religious zealots to seek vengeance on the hapless pair. But who will live happily ever after?

Ensconced in a solitary existence, Paweł believed that his feelings for the young man he once loved in Brussels had long since ebbed. That is, until one rainy afternoon, when he finds Clément waiting at his home in Poland.

Marcos and his family work as ranch hands. While his father and brother handle the heavier tasks, Marcos stays home, close to his mother. Each one has their future laid out before them, yet Marcos bides his time waiting for Carnival, the one moment where he can let his true self out to shine. The sudden death of his father leaves his family in a very vulnerable situation. The ranch owner hounds them to go away, while Marcos’s mother pressures him to take over the work in the fields. Nicknamed Marilyn by the other teenagers in town, Marcos is a target for desire and discrimination.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

The movie is basically two unrelated comedic features: the first one features the travails of a man who stutters and tries to woo a woman he wants to date. The second features the wonderful Renato Pozetto as a gay man who lives with a partner, but finds himself falling for a woman, and not knowing how to tell his partner, who is prone to melodrama.