Le Siècle des couturières

Johnny Knoxville, Steve-O and Chris Pontius join the annual race around Europe, have fun in other countries, and get in some trouble along the way.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Sixth is a visceral intersection of six extraordinary Americans whose lives will be forever changed by the attack on the United States Capitol on January 6, 2021.

A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.

A intimate reflection at the making of and cultural phenomenon of one of the most popular and profitable horror films ever made, The Exorcist (1973).

Eu também não te vejo daqui

Alain Vastine, les combats d'un père

AC/DC, or three brothers in the service of music. The story of a unique sound that spanned fifty years of rock'n'roll: sharp, electric, boosted.

Samba de Memorias

Documentary about the making of Dune.

A recorded Q&A hosted by Mark Kermode, where Pedro Almodóvar and Tilda Swintondiscuss the inspirations they drew on for the film, how THE HUMAN VOICE fits within the 'Almodóvar oeuvre', and what Pedro will be making next - including a great surprise for Tilda. Recorded under lockdown conditions, the discussion features visual references and clips to create a dynamic and interesting companion piece to the short film.

A documentary from 2012 on the making of the film, featuring interviews with Pedro Almodóvar; Agustín Almodóvar; actors Penélope Cruz, Marisa Paredes, Cecilia Roth, and Antonia San Juan; production manager Esther García; and author Didier Eribon.

A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.

In 1429, a French teenager stood before her King with a message she claimed came from God; that she would defeat the world's greatest army and liberate her country from its political and religious turmoil. As she reclaims God's diminished kingdom, this courageous young woman has various amazing victories until her violent and untimely death.

Sean Quinn was the world's biggest single loser in the 2008 global financial collapse. He'd gambled his business empire on a single investment and lost everything. Now he wants it all back, no matter the cost.

The film features the leaders of the Moscow Classic Ballet Theater, Natalia Kasatkina and Vladimir Vasilev, who aspire to transform their theater into an international ballet center. The film is based on a story about the personal life and creative plans of the famous ballet couple.

A short featurette about the emotions of the cast and crew while shooting Volver.

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

Genuine connections between children and nature can revolutionize our future. But is this discovery still possible in the world's major urban centers? The new chapter of "The Beginning of Life" reveals the transformative power of this concept.