The future is bleak for a troubled boy from a broken home in the slums. He runs away when his step father breaks his violin, ending up sleeping in the basement of a music school for poor children.
Hijos de África
Found footage: California in the 1950's and 60's. A young Indian couple enjoys their personal American dream come true in their home somewhere in the suburbs of San Francisco. In great detail they pose with their newly achieved wealth in front of their Super-8 camera. Just like postcards, they would send these film rolls to their joint families back in India. Around the same time, an American missionary couple visits the city of Calcutta to shoot a Christian propaganda film. The drastic reality with poverty and famine in the streets of the Indian metropolis fits perfectly into their wicked plan: To promote the faith in Jesus by showing the misery that pagan believers are doomed to suffer from.
Life on the breadline in the 1930s was hard enough, but times were desperate when you fell beneath it. Hunger marches organised by the National Unemployed Workers' Movement drew attention to the cause, but this left-wing collective picked up a cine-camera. The fictional story at the heart of the film is somewhat melodramatic, but the authentic surroundings give its message realism and weight.
J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?
Featuring musicians Annie Haslam, Michael Dunford, Jon Camp, John Tout, and Terry Sullivan, this classic lineup of progressive rock band Renaissance performs songs from albums Ashes are Burning, Turn of the Cards, Scheherazade and Other Stories, and Novella, including "Carpet of the Sun", "Mother Russia", and "Can You Hear Me?" in a stripped-down rock band arrangement, at the Golders Green Hippodrome, London, for the BBC Two series, Sight and Sound In Concert.
Over a decade in the making, Swagger of Thieves follows rock band Head Like a Hole from the top of the charts to the bottom of a needle. Staring down their age, two pals and the main guts of HLAH, frontman Nigel Booga Beazley and 'co- conspirator' Nigel Regan strut the hard road out of hell, fighting to reconnect and return their band to past glory, amidst disgruntled band mates, a changed music industry, and disappointed wives. Struggling to place past addictions and sabotaged dreams behind them in their continuing quest for rock music relevance, the ever-collapsing binary stars of any Head Like a Hole lineup, are certain (not) to polish their legacy here. Swagger of Thieves captures what it means to be in a band with a reputation. Unrelentingly raw, wild and honest, to the point of being one of the most insightful music documentaries ever made. Essential viewing. New Zealand International Film Festival (NZIFF), Melbourne International Documentary Film Festival (MIDFF)
A concert film with Norwegian rock band Bigbang, featuring performances from their 2009 shows at the Norwegian Wood Festival and Slottsfjellfestival.
Rodrigo Teaser - Tributo ao Rei do Pop
We went back into The Doors' footage vault and restored the original concert film of their legendary Hollywood Bowl performance to high-definition video with a 5.1 stereo surround mix! Get a glimpse into the process of restoring the picture and sound.
A collection of memorable stories from The Doors as well as friends who were present the night of their legendary 1968 appearance at the Hollywood Bowl - from long-held rumors to behind-the-scenes anecdotes.
Documentary about what makes a house a home.
While the world around it has changed dramatically, The Rainbow Bar and Grill has remianed as one of the last bastions of true Rock n' Roll on Hollywood's famed Sunset Strip. Legendary musicians recount their stories from the iconic venue.
The cliché of classic rock guitar is one of riffs, solos and noise. But write a list of great guitarists and their finest moments and a quieter, more intense playing comes to the fore. The acoustic guitar is the secret weapon in the armoury of the guitar hero, when paradoxically they get more attention by playing quietly than being loud. This documentary takes an insightful and occasionally irreverent look at the love affair between rock and the humble acoustic guitar. Exploring a much less celebrated, yet crucial part of the rock musician's arsenal, contributors including Johnny Marr, Keith Richards, Ray Davies, James Dean Bradfield, Biffy Clyro, Joan Armatrading, Donovan and Roger McGuinn discuss why an instrument favoured by medieval minstrels and singing nuns is as important to rock 'n' roll as the drums, bass and its noisy sister, the electric guitar.
Ten years after establishing New Heights, the pastors, their families, and other influential members of the church sit down for roundtable discussions to look back on the past decade and forward toward their future plans for the congregation.
The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.
Romantic Warriors II explores the origins of the Rock in Opposition movement in the late 70s, and how it continues to influence contemporary bands throughout the world. Featured bands include Henry Cow, Art Zoyd, Magma, Univers Zero, Magma, Thinking Plague, Etron Fou Leloublan and Samla Mammas Manna.
Glam Rock: Splendeur et Décadence
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
The story of Shaista, a young man who—newly married to Benazir and living in a camp for displaced persons in Kabul—struggles to balance his dreams of being the first from his tribe to join the Afghan National Army with the responsibilities of starting a family. Even as Shaista’s love for Benazir is palpable, the choices he must make to build a life with her have profound consequences.