As forces threaten to divide and silence Latino communities, a lowrider club in rural Washington transforms personal tragedy into a rolling act of resistance.
In this autobiographical documentary, Rosa explores her anxiety, derealisation, and a mother-daughter bond shaped by shared trauma.
The love story of successful businessman Alexei and young doctor Dimitri unfolds against the backdrop of Russia’s escalating anti-LGBTQ laws and the invasion of Ukraine. Meeting in secret during COVID lockdowns, the couple faces criminalization, police raids, and the looming threat of being sent to the front line. Their fight for freedom takes them across three continents in a desperate bid to live authentically and without fear. First-person testimony is blended with striking animation and dramatic reenactments.
The Oldest Heart is a short documentary that follows the inspiring journey of Australia’s oldest female amateur boxer, Lyn Joy Mills, who at 71, embarks on an extraordinary journey toward her first official fight.
“Are you a man, or a woman?” In a world built on binaries, this is the question every trans soul must learn to answer—again and again. But imagine a future where bodies wither, yet minds ascend—consciousness can be uploaded to the cloud, and we could inhabit mechanised shells. In such a world, would gender still hold weight? Would it matter if you were man, woman, turtle or elephant?
Covid-19 has changed the sound landscape for the Mexicans. Filmmakers Leslie Montero y Rodrigo Pérez Galicia share how Mexico City’s streets sound like during the 2020 coronavirus quarantine.
Amidst harsh winter conditions, Patagonia Park Argentina’s rewilding team works to dismantle deadly fences – enabling guanacos to continue their ancestral migrations unimpeded. This effort is part of their remarkable mission to restore the Patagonian steppe. This short wildlife documentary is a journey into the heart of Patagonia Park, Argentina, where the spectacle of winter migrations unfolds against the backdrop of ongoing rewilding efforts.
West Coast of England, redshanks wander through wetlands in search of food while facing constant threats from loose dogs.
The making of “The Devil’s Backbone” by Guillermo del Toro.
Inside a shelter, participants in a talking circle share their experiences of intimate partner violence as a way to regain their dignity and strength to act. Powerfully empathetic, Après-coups creates a space of sisterhood and solidarity—a chorus of voices breaking down the walls of silence.
As one of his generation's quintessential Mad Men, television commercial director Joe Sedelmaier's work was iconic, dynamic, and instantly recognizable--some twenty to thirty years later, people are still wondering 'Where's the beef?” He turned the advertising world on its brain-damaged head by casting offbeat non-actors in still-unforgettable spots. His brilliant, frequently hysterical commercials for Wendy's, Alaska Airlines, Federal Express and others were snappy slices of cultural quirk that tapped into the Cold War-fearing, corporate workaholic zeitgeist of the '70s and '80s with a sense of humor that cracked billions of smiles, sold billions of burgers, and sped up the default rhythm of time-based media.
End of a trilogy started with Hold up and continued with Hold On, Hold out questions the official narrative about the COVID-19 pandemic.
Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.
This film is a portrait of New York in the 1980s by famed photographer Steven Siegel, including footage of the subways, the parks, Times Square and other neighborhoods. The film is narrated by teenagers of that era.
A short documentary that tells the story of queer artist Heather Spooner and the adult pen pal program she created during the pandemic, featuring the poignant and humorous stories of connection and humanity that came from it.
Gravedigger is the last name on the list of fighters facing the Corona epidemic. The gravediggers have buried the dead in one corona after another at the call of humanity even though they were not paid. In return, they received some rewards and an invaluable realization. One of them is Aslam of Ray Bazar Cemetery, The Last Man.
One of the greatest pests on the planet, the evil ants destroy the forest to protect their family. Memories of the covid-19 pandemic, eroded by ignorance and negationism. What's left in this great country of worms and viruses?
Millennials in the US discover their lack of legal nationality, sparking a search for recognition and belonging that unites them and offers hope for the future.
In this film, a group of women and children gather sweet, fresh /ole berries and sha roots. The younger women, led by N!ai, bait a nest of wasps. As the day wears on, Debe, N!ai's youngest son, grows restless. Di!ai asks N!ai to take Debe home, but she refuses, and walks off to join the younger women. The film explores the interactions between these women as they engage in their everyday pursuit of food. It is a companion film to Debe's Tantrum.
RETURN follows the efforts of a family of former sea-turtle–egg poachers, now dedicated protectors, leading VIVEMAR — a community-based organization in Oaxaca, Mexico. Through their work, they safeguard one of the world’s most endangered sea turtle species during its nesting season along the Mexican coast.