Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.
London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.
While filming an advertisement, some extreme sports enthusiasts unwittingly stop a group of terrorists.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, a drag queen; Teddy, a hustler; Guto, a gay reporter; and Marta, an actress.
A beautiful young woman Hana Angelousi is lured aboard the yacht of a man who is trying to break the spell that turns men into stone. An updated version of the legend of Perseus and Medusa.
Diamante, an actress engaged in the filming of a drama, is shot down in a warehouse used to store the cinema "pizzas". Another actress, Ely, get a glimpse of the corpse, which however is immediately disappears.
When three women living on the edge of the American frontier are driven mad by harsh pioneer life, the task of saving them falls to the pious, independent-minded Mary Bee Cuddy. Transporting the women by covered wagon to Iowa, she soon realizes just how daunting the journey will be, and employs a low-life drifter, George Briggs, to join her. The unlikely pair and the three women head east, where a waiting minister and his wife have offered to take the women in. But the group first must traverse the harsh Nebraska Territories marked by stark beauty, psychological peril and constant threat.
A love triangle develops between the male and female leads and the director during the making of a musical in Mainland China.
Scientist Jim Grayam saves his boss' wife from suicide but then falls in love with her.
A young artist lives with his father, a radical friend and music loving young woman. His father dies, the radical friend leaves him and the woman is taken away by her family to another city.
A film student at Ryerson University struggles to complete her thesis project.
Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!
Gabe has a burning fire in him to make his mark on Hollywood with his crime spree movie, but no one wants to give him funding. After a chance encounter with a thief named Gideon, Gabe decides to shoot his movie guerilla-style, robbing convenience stores, filming the whole thing. There's just one little problem; Gideon has been keeping the money (hey, old habits die hard). Now the filmmakers are wanted felons, with the police hot on their trail.
After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.
Wen Rou is a female director who tells screenwriter Yu Le a story about a girl named Wen Rou and her intense relationship with her boyfriend Xiao Fei.
Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.
An aspiring young actress trying to break into the film industry crosses paths with a miserable arthouse filmmaker to produce a film which manages to challenge both of their resolve to survive in the film industry.
This film-within-a-film spins out the events and episodes leading to the death of a skinflick star.
An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.