In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
Oshidori kenkagasa
Near the end of the shogunate in Japan, Katsura Shogoro and his fellow samurai from the southwestern domain of Choshu enter the dojo of Saito Yakuro, the famed Shindo Munen Ryu swordsmen of Renpeikan in Edo. Katsura is initially not welcomed by the other, senior dojo followers. Undeterred, he focuses on improving his skill not only in swordsmanship but also learning how to repel the foreign British and American ships that threaten their domain.
Drama set in the historical Warring States Era of Japan. Tokaido name Imagawa Yoshimoto personally led his army to invade Owari Province territory, now in Aichi Prefecture Nagoya City area, was the leader Nobunaga of this surprising burst of death. After the war, the Imagawa clan who originally dominated the Tokaido region fell away, and the victorious Oda Nobunaga quickly expanded his power in Central Japan and the Kinki region, laying the foundation for his future control of the central government of Japan.
Ogami Itto battles a group of female ninja in the employ of the Yagyu clan and must eliminate a traitor who plans to sell his clan's secrets to the Shogunate.
When master swordsman Mikogami Genshiro of the Ono fencing school returns to find that his ailing sensei has been murdered in the dead of night, he must find the culprit and exact revenge. His return sets off a series of violent incidents and incites a high ranked female skilled in sword to test his mettle after he unwittingly offends her. The ever delightful Misora Hibari co-stars with the great Tsuruta Koji in this exciting tale set in the earliest days of the Tokugawa shogunate. Lots of exciting swordfights highlight this entertaining motion picture!
Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.
The story of Ryoma Sakamoto, considered to be the architect behind the downfall of the Tokugawa shogunate. He was considered an outlaw by his own clan, hunted by his government, and was despised by supporters of the Shogun as well as the Loyalists for desiring the opening of Japan to the West in order to learn its technology, in the hopes of one day defeating the West with a modern army and navy.
Wishing to find peace, Zatoichi travels to his old village but only finds trouble when he ends up in a love triangle and finds old scores have followed him home.
After arriving in the town of Shimonita, Ichi finds that a price has been put on his head by a local yakuza boss. He's drawn into a trap, but after hearing of the slaying of a former love, Ichi furiously fights his way through the entire clan to face the killer, a hired ronin.
A jidaigeki film on Banzuiin Chōbei produced in 1940 and directed by Yasuki Chiba.
Kakizaki Yuji’s period film is not like the jidaigeki films we are used to. While it deals with themes of seppuku, duty, and loyalty to one’s masters and the shogun, we see very little in terms of action. Instead, the film focuses on the inner thoughts and struggles of the protagonist—who is ordered to perform a ritual suicide—his wife, and their entire household, all leading up to the final moment.
Ryunosuke, a gifted swordsman plying his trade during the turbulent final days of Shogunate rule, has no moral code and kills without remorse. It’s a way of life that leads to madness.
Japan's greatest jidaigeki star, Mifune Toshiro is Shogun's Advisor Okubo Hikozaemon who must be coaxed out of retirement to save Shogun Iemitsu from danger. The elderly Hikozaemon has been belittled of late and has seemingly lost the will to live, much less the desire to assert himself and make Iemitsu listen to reason. The plot thickens when a lovely young woman enters the picture. Can she change Hikozaemon's mind, and thus alter the path of Japanese history? No longer a young man, can Hikozaemon gain the shogun's ear, and succeed in warning him of the evil plot to overthrow him?
Ichi is a blind entertainer that travels the countryside with her traditional Japanese guitar and walking stick. She’s in search for the kind man that brought her up as a child, but because of her beauty she encounters problems every step of the way. Fortunately for Ichi, she is also a gifted swordswoman and carries a lethal blade within her walking stick.
Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering on a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.
In a poor district of Edo lives a young samurai named Soza. He has been sent by his clan to avenge the death of his father. He isn't an accomplished swordsman however, and he prefers sharing the life of the residents, teaching the kids how to write etc. When he finally finds the man he is looking for, he will have to decide whether he follows the way of the samurai or chooses peace and reconciliation.
In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set on stealing shogunate gold that's soon to come over the pass. When the Ronin's assignment becomes clear, to help the gang, he's ordered to kill the inn's residents, including a woman he's rescued from an abusive husband. He's reluctant to murder innocent people; then he learns that the gold shipment is a trap and he's part of a double cross. How he sorts through these divided loyalties tests of his samurai honor, and perhaps of his love for a woman.
A man is brutally murdered and his famed shamisen (a three-stringed musical instrument) called the "Yamabiko" stolen. Prince Kogenta swears to avenge his father-in-law's death and retrieve the family heirloom.
In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.