A student with a pretty boring life meets with a accident which changes his next 24 hours into doing things which he thought he would never do, will he try to interpret the enigma or go with the flow of the enigma?
O Enigma do Concurso
A worn-out woman makes her way to the elevator, weary from a long day's work. Her anticipation of home turns to dread as she finds a lifeless figure in her apartment. Panic grips her as she races to seek help, her cries for assistance met with unsettling silence from her neighbors.
Juno encounters different characters in his dreams as he seeks to make sense of his past with Clarissa. Confusing and distorted memories haunt him and prevent him from moving forward in the writing of his novel. Juno asks his best friend Dyno for help to solve the enigma that haunts him so much and that dwells in the deepest part of his being. Dyno will perform a ritual in order to clarify to Juno all his thoughts and the final meaning that is inside him, in his innermost, darkest depths.
The film chronicles a day in the life of a man during the COVID-19 pandemic lockdown, but something inside his house isn't quite right.
1953 – The Outlawed centers on the last part of Alan Turing’s life, traveling to Greece to study morphological regularity in nature while his body is being altered by an enforced hormonal treatment. The agonizing surgical incision that is a narrative hinge in the film, slashes into the convulsed boundary between laws and transgressions, natural and technological becomings: a cut that does not separate politics and bodies but complicates the forms in which they crossbreed.
Paul Pritchard, David Limb, Jamie Andrew & Pete Steane - four disabled climbers tackle Kilimanjaro, the highest mountain in Africa.
She is a teacher. She is a mother to young artists, a mother to activists of social and cultural movements. Indonesia has a long and unresolved historical wound, starting from the events of 1965, the silence of democracy and human rights activists, and the spread of identity politics. In the midst of it all, DOLO, a female sculptor opens the wounds of history through her sculptures.
Route 4
Brian Cox leads a group of young actors in a workshop exploring techniques in performing Shakesperean tragedy, using Macbeth and Titus Andronicus as example texts.
02 - La audición, (una historia de) SPLASH PAGE. 720p
Day After Disaster
Long Live Chainsaw reveals the true story of the meteoric rise, untimely death and long-lasting legacy of Canadian downhill mountain bike legend, Stevie Smith. Born into poverty and raised by a devoted single mom, Stevie's unwavering belief not only propelled him to become the best in world, it inspired everyone he touched to believe in their own impossible dreams.
Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer. Norman McLaren: Animated Musician celebrates this exploration and presents much never-before-seen work by this master of cinema.
An examination of the wildest conspiracy of our times. From the biggest names in QAnon to the front-line digital soldiers, what leads people down such a different path?
25 years after making his independent film "El Mariachi" for only 7,000 dollars, filmmaker Robert Rodriguez recreates the experience with his micro-budget film, "Red 11," this time documenting his process in order to teach other artists how they can make their dreams a reality.
35mm record of the figures that still haunt the Boca do Lixo de Cinema, in São Paulo. With emphasis on the deterioration of the cinematographic support itself, as well as the abandoned movie theaters in Cinelândia. And of course, the end of Cinema as a whole.
Filmed in Beirut in the Spring of 1984, in many ways a letter about warfront.
A documentary following Norwegian comedian Lars Berrum during the tour of his Tuttifruttiland stand-up show.
The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels, the viewer sees Acconci and Kathy Dillon sitting alone in wooden boxes in different rooms, each facing a static camera. Although they can only see and hear each other on separate monitors, they attempt to interact and respond to one another directly, as if their communication were unmediated. Through language and gesture, Acconci tries to manipulate Dillon's actions from his box, as though by remote control.