Grow Up Already

A nighttime driver is haunted by the ghost of a raccoon she hits with her car.

A slapstick comedy with Charles Murray & Louise Fazenda.

Larry Semon produces his take on a typical Keystone farce, the flirting-in-the-park routine, where pretty Florence Curtis is pursued by four typical Keystone types: the wealthy geezer, the moustachioed Italian, the derby-wearing tough and, of course, the big-footed cop… and here comes Larry, if not to save the day, at least to make us laugh.

Paul Parrott plays an obsessive-compulsive bill poster in this thoroughly average Hal Roach comedy from 1923. Hired to help publicize a new Gloria Snootful picture, Paul goes bonkers with glue and paper and ends up attaching promotional material to any surface within his reach, including the rear ends of a number of people, though his attempt to nail a poster to a glass window is somewhat less successful.

Ko-Ko is chased by a cartoony spider while Max deals with a mouse in his office.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

A tramp tries to earn money by playing the violin, but he’s soon facing off against the jealous competition.

A housewife tires of her husband's annoying behavior and returns to her mother. At first, the husband is quite pleased to have the house all to himself. But he quickly discovers that even the most basic domestic chores can be fraught with difficulty.

Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.

Eso te pasa por barroco

After literally swimming across the Atlantic Ocean, an Englishman takes a country trip across Canada on a railcar.

The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…

A professor eating his lunch at his work table becomes suspicious of the taste of his cheese. He puts a slice under the nearby microscope. But the crawling creatures thus revealed aren't quite what one might expect. Parody of 'The Unseen World: The Urban-Duncan Micro-Bioscope' series.

On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.

In this clever and over-the-top satire of romantic rituals, a cartoon pickup artist is violently torn apart by the women he courts. Don Hertzfeldt's first student film, he plays the part of a mentally unwell animator who's losing his grip within his own movie; an idea he'd later revisit in other early "meta" shorts "Genre" and "Rejected". Despite being produced at the age of 18 and not intended for exhibition, HBO named it "The World's Funniest Cartoon" in 1998.

In Don Hertzfeldt's second student film, a hapless cartoon character is dragged through a spectrum of cinematic situations by his frustrated animator.

A blind date ends in disaster.