The Regulars

A raucous comedy of errors about a singer stuck in a dead-end job who sees his last, best shot at rock stardom threatened by freak accidents, movie theater politics, stressed-out relationships and a janitor who is much more than he seems.

As the staff close a theatre after hours, their work takes a disturbing turn.

A neurotic film bro learns his lesson.

At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.

An actress, lost in an unknown city, comes across an old lady who is just as lost in this city that she no longer recognizes.

An observation of daily life from the perspective of a cinema employee together with the imagination and power of cinema.

Masterclass

100 Reais

Noé s'envole

The film, shot in the Saharawi refugee population camps, tells the story of a group of students from a film school who, for their final year project, decide to shoot on the Wall of Shame erected and mined by Morocco, in the middle of the current war that is being waged after the breaking of the ceasefire by the Alawite regime in November 2020.

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

Homens mortos não conta história

Cineteca

Marcello

200

Impassivity and silence are Mads Mikkelsen's trademarks, and roles without reply his specialty. His sculptural allure is such that his mere presence takes on a dramatic dimension. For him, everything starts with the body. It's his main working tool, which he shapes and engages for each film. For the majority of world audiences, the Danish actor remains associated with his "villain" characters in Hollywood blockbusters - Casino Royale, Doctor Strange, Hannibal, Fantastic Beasts... Yet he finds with uncommon ease a balance between major American film franchises and more modest, confidential independent films. If the actor manages to move from one universe to another without being stereotyped, it's because he has a very physical - thanks to his former career as a gymnast - and pragmatic approach to his art.

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Erich Maria Remarque und Marlene Dietrich - Flucht in die Liebe

Hossain Sabzian and some of his associates discuss his character, his life-long obsession with cinema and his attitude towards the film he starred in, "Close-Up" (1990).