Based on a true story and set in one of the most colorful periods in Philippine history, ROSARIO is destined to be a modern masterpiece in Philippine filmmaking. It is a monumental yet intimate portrait of a woman's emancipation and the sometimes painful consequencesof following one's desires.
Set in a future where crime is the law, a former cop and his supernaturally possessed bike partner go undercover to preserve justice. However, when a group of leather jacket goons steal the bike he must find a way to get it back from them.
A detective suspects an unreported serial killer is preying on the population of a college town, luring in his victims through online video chats and assuming their identity after the murder.
A British secret service agent tracks down a lunatic doctor whom has stolen the frozen body of a dormant cave woman from a determined archaeologist.
Jimmy McNamara is an ex-writer and WWII vet turned accountant who receives a call from Vivian, his ex-fiance and nightclub singer. Vivian got a Hollywood contract and is taking Jimmy with her. All he has to do is retrieve the negatives of compromising pictures that put her bright future in danger. But Jimmy's mission might not be as simple as it seems.
Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki is actually meant as a parody of the late Cold War-era Rocky IV, which saw Stallone's character taking on a juiced-up Russian fighter played by Dolph Lundgren. In this 1986 send-up, Rock'y, played by Silu Seppala, goes head to head with Soviet Igor (Sakari Kuosmanen) and loses.
On the night of the strangest wedding in cinema history, a grotesque gang boss hires a stonecold killer to bring him the finger of a fading, drug-addicted jazz legend.
In the midst of a torrid affair, Lance discovers that Nob Hollow's weirdest residents, the Stackpoole family, have been doing hideous human experiments in the bowels of their basement.
A thief who is burglarizing gets surprised by the host and commits a brutal murder. He runs away but realizes that something is following him.
An action comedy centered on Blubberella, an overweight half-vampire woman whose footsteps cause explosions and whose dual swords are used against anyone who makes fun of her. She must face an army of undead Nazi soldiers in her valiant struggle against bloodshed and tyranny.
A simpleton has to turn into a quirky, albeit miserly, don to save his legacy and his ancestral property, a movie hall.
A bus conductor gets dressed for work in the morning, goes to the toilet, where he is killed by a bomb. The Commissioner and his fat, bumbling assistant, Inspector Charbonnier are put on the case. After interviewing friends, wives, colleagues, and spying on strangers who might be connected, our heroes trace the assassin down to a mental institution where, it seems, the murder victim has been an inmate for the last three years...
Two women who have been unjustly confined to a prison planet plot their escape, all the while having to put up with unhinged guards, crazed wardens and mutant rodents.
Abang and Adi are undocumented orphans living in present-day Malaysia. While the older brother, a deaf mute, has resigned himself to a life of poverty, his younger sibling burns with indignation. A brutal accident upsets the fragile balance of their relationship.
From prominent Japanese filmmaker Yudai Yamaguchi comes this off-the-wall anthology of three experimental vignettes showcasing the style and wit that are the director's stock-in-trade. Recorded on digital video, these genre-bending short films -- starring then up-and-comer Tak Sakaguchi -- are awash with farce, Yamaguchi's pubescent sense of humor and electrifying rock 'n' roll.
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
John, Ryan, and Phil are heading off to Milwaukee for a designer's conference but during their panic, they leave Phil behind at the office. To make matters worse, two thieves show up in an attempt to rob the studio, leaving Phil in charge of protecting the company.
Tells the story of detective Remo Bellini, who gets pulled into a web of death and mysteries that take him to a world of illusions where everything is a self-created fantasy. He's taken by this evil inside that makes him lose a sense of reality with visions, anguish and loneliness - everything takes him down a path of no return. He can't understand what's happening, but the deaths surrounding him are getting closer and closer. It's a race against time before it's too late.
The millionaire Diego Verastegui has been murdered at his house, and somebody has taken a valuable briefcase from the safe-deposit box. Dimas -Verastegui's bodyguard- comes back to the house and finds three suspects: Carlos, the millionaire's son, Anna Karina, a sweet girl, and Andres, a bohemian magician. They retell the scenes of the murder from contradictory points of view, each claiming a different version of who committed the crime.
Svea and Bertil are competing on TV and one of them risks being eliminated.