A Good Son

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

A former collegiate athlete and his best friend struggle with the turmoil of Multiple Sclerosis.

Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.

A disturbed young man pushes away his exurban family to seek wildness in the woods. The boy's urge for the primitive manifests in his bedroom at home and in a wild dog he follows through the countryside.

Tom, a young architect from Tel Aviv, accepts his partner Nimrod's offer of a threesome with Or. The meeting with Or changes the couple's relationship.

A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a 'real man', Diego, is ready to do anything, even to force himself to do things he would never have wanted to do.

The heterosexual man Axel is thrown out of his girlfriends home for cheating and ends up moving in with a gay man. Axel learns the advantages of living with gay men even though they are attracted to him and when his girlfriend wants him back he must make a tough decision.

La Patagonia, southern Argentina. After his mother's death, Nahuel, a violent teenager, meets his biological father, Ernesto, a skillful hunting guide; but their reunion is harsh, since their souls are only ruled by pride and resentment.

A young woman is late for an important job interview when she notices a woman falling ill just as the train drives into the station.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A meditation on My Lai.

In a rural town, the shock death of a teenage boy devastates his family. As his sense of home and belonging is eroded, the boy's father Tom seeks a way to come to terms with his son's death - one which can only come from true acceptance of all that his son was.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

On vacation for a friend's wedding, boyfriends Francisco and David get into a trivial argument that quickly escalates.

Jane is a boxer, preparing for the championship of her life. She wants to win but it's difficult to keep focus when her girlfriend Tanja wants to start a family. When Jane meets Karoline new emotions arises and she decides to leave Tanja. The training escalates, and suddenly Jane seems to be unable to get the firm foothold that she so desperately needs in both her life and in her career.

In 1968 Dennis Wilson of The Beach Boys met a dynamic and passionate singer/songwriter and introduced him to Hollywood. The two set out to record that artist's first professional album. The album became known as LIE. In 1969 this artist achieved incredible fame, but not for his music. The artist's name was Charles Manson.

The encounter of an ex-couple that haven't seen each other in five years. His name is Andrés and he's a film director. Her name is Lucía and she's an actress. They confront their past in a real-time conversation: a mingling of what they remember, what their dreams were, and what never happened — not even in their dreams.

A short film by the United Jewish Appeal, directed by David Lowell Rich and starring Guy Madison, Felicia Farr and Agnes Moorehead, made by the core crew of many Columbia noirs, including cinematographer Burnett Guffey, art director Cary Odell, editor Al Clark, set decorator Frank Tuttle, and composer Morris Stoloff.