Yaakov, an elderly man, arrives at Vera's apartment, looking for a woman who will see him discreetly. Yaakov comes face to face with Vera's personal life and his passion is tempered by his conscience. As Vera begins the routine, Yaakov must decide between his morals and his need to satisfy his urge.
No Me Digas Wey
After discovering her mother’s dead body, Luz tries to protect her younger sister, Catalina, from the harmful reality by using fantasy and games.
In the dystopian 2040, a performance artist shots himself dead in front of a live audience. While the extreme act shocks the society, his friend is kidnapped and interrogated as a murder suspect; he has to prove his innocence to survive.
In the dead of night a troubled youth from an East London estate, Ray Marsden stalks into a hospital ward demanding to see the patient. The attendant Nurse, Lynne McDermott is sceptical about Ray's motives but gradually uncovers the truth about his violent past and in so doing makes a startling discovery that will change both of their lives forever.
In the apartment hotel lived the aspiring maid, whose solicitude maintained order in the bachelor's apartment. He was her ideal, and the all-adoring bell-boy was firmly but gently given to understand that maids who read "Heliotrope Glendening's Advice to Young Ladies" look higher than ice-water toters. A compromising complication, however, with an unexpected visit from a beautiful lady, quite convinces the aspiring one that wealthy young bachelors may be the grandest men ever, but their aspirations, when it comes to the crucial test, are not for chambermaids. Science influences his actions so much that he gets into trouble with the police.
Do-han makes money ripping off Chinese tourists visiting Dongdaemun night market. One evening, a Korean-Chinese man, Gwang-ho, asks the wandering Do-han about where he might take a woman. Hand-held camera work, close-ups and rhythmical editing enhance the dramatic tension and reveals what lays the shadowy corners of the exciting city nightscape.
A rabbi is murdered. Detective Llonrot is called in on the case and looks for a 'rabbinical explanation' for the murder. Other murders are committed and deliberate clues left in chosen locations. Llonrot, convinced he is on the trail of a 'mystical intrigue' is lured to the 'crime scene' when the tables are turned by his nemesis, the master criminal Red Scharlach.
Visions of characters by the seaside from one's memory are erased by the filmmaker's hand.
A young phone sex operator named Al's career takes a strange turn as her more unpleasant clients begin dying under mysterious circumstances after speaking with her. Al is left with sudden, intense headaches after each incident, the likes of which she has never experienced before. Is this coincidence, or is she somehow causing these deaths? Al attempts to keep her grip on reality and enlists her best friend investigate--battling violent ex boyfriends and the horror of the service industry along the way
Walter Catlett is the cousin to some squeaky voiced Dagwood Bumstead type who can't get a girl. Can he browbeat his cousin into swiping pretty girl from accomplished gunman, boxer, and horseman Franklin Pangborn (!?), or is that just DREAM STUFF?
In the translucent LA dusk we discover four women living very different lives. The camera follows each as they wind down their working days, their four stories weaving together as each prepares for their evening.
After years of financially and emotionally draining fertility treatments, Abby Taylor is so desperate to get pregnant that she secretly turns to the online, underworld of natural insemination in order to create a miracle.
When her newspaper reporter brother is taken ill, a young woman takes over his job. Before she knows it, she's involved up to her neck in a plot involving stolen jewelry and a very agile monkey.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
The innkeeper's daughter is in love, but her mother has already decided that she is going to be married to another man.
Griffith intercuts between the lives of two couples married on the same day. One couple is rich, the other poor. Time passes, and in desperation over joblessness, the poor husband attempts to burgle a home, only to be captured at gunpoint by the mistress of the house. It is the home of the rich couple. While holding the poor intruder at gunpoint, the rich wife accidentally discovers evidence implicating her own husband in a bribery scheme.
A mother (Renee Carl) goes to see a palm reader who informs her that a loved one is about to die. The woman doesn't know if it's her son or her husband (Rene Navarre) but history buffs will know who it is as it's April 10, 1912 and the husband is about to board the Titanic.
A one night stand on the rocks with a twist.
A delirious sci-fi riff on the Arabian Nights' 'Tale of the Hunchback', that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to 'relax' at company-run medieval reenactments.