Nani

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A distraught squatter tries to cope with his werewolf nature through drugs and music.

A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.

Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...

A hobo takes revenge to a miller who didn't give him something to eat.

Before Words

Unable to decipher reality and delusion after his son and wife die, a successful businessman struggles to find peace with his own conscience.

Mapo's experiences on the Camino de Santiago, or St. James Way. On this legendary route, he will pass through villages and meet other pilgrims who, like him, are seeking new experiences and emotions.

Through a series of auditions, a young actor in New York City struggles with his identity.

Padam...

It's a story about the relationship between daughter and mother who has Alzheimer's disease.

When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films

For Love of Mary Ellen

An Indian cares for a dead white man's child, protecting him from a thieving fur trader.

Over the course of a night, two sisters roam the inner-city streets of their neighbourhood as they try to escape another stint in the foster care system.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

A group of Haitian refugees is smuggled on a Bahamian fishing vessel from the Bahamas to the United States.

Belly

Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.

Atasco