Much Ado About Nothing

Comedic short featuring Shakespeare's notable characters; many performing musical numbers. An assistant director is told to read all Shakespeare’s works in order to mine them for potential film plots. Falling asleep on the job, he dreams of various Shakespearean characters coming to life from the pages of giant books and singing and dancing in celebration of their "goin’ Hollywood." The characters appearing include Romeo, Juliet, Juliet’s Nurse, Puck, Peter Quince, Hamlet, Old Hamlet’s Ghost, Falstaff, Antony, Cleopatra, and Macbeth. Shakespeare appears toward the end of the film to object, but he is quickly convinced by his characters to join a big song and dance routine. Includes passing references to a number of familiar Shakespearean scenes including Hamlet’s "to be or not to be" soliloquy, Romeo and Juliet’s balcony scene, Hamlet with Yorick’s skull, and Enobarbus’ speech on Cleopatra’s barge.

Magdy is an engineer at the High Dam. He travels to Cairo to take some time off with his family. But his wife Dr.Laila, is too busy with her work, which drives him to spend time with his neighbor Elham, taking advantage of her husband's absence, and things develop rapidly

Al-Soul Maslehi (Samir Ghanem) runs a prison, and his father-in-law (Zakaria Mawafi) offers to rent prison cells as hotel rooms so that he can consummate his marriage to his fiancée (Nora).

One morning a man wakes up in his bedroom and begins to work on his computer. An attack of itchiness prevents him from concentrating on his work.

be paitence se alam

The story revolves around a bus that gets lost in the desert, and the play presents the human models represented by the bus riders and the mistakes and sins of each passenger. When they are about to die of hunger and thirst, each of them declares his repentance and decides to reform himself, so will their positions change after their salvation?

Max, a failed writer, goes in search of her estranged girlfriend while simultaneously, trying to unload a large quantity of drugs she stole off her bosses to pay for a trip back East to care for her dying mother. She also might have her dead sister in the trunk of her car.

The Misleading Widow is a 1919 silent film comedy starring Billie Burke as Betty Taradine. It was based on the 1917 stage play Billeted by F. Tennyson Jesse and H.M. Harwood. The film was produced by Famous Players-Lasky and distributed through Paramount Pictures. It appears to be a lost film.

Al-Usta (Bahbah), the barber, lives in the city of Baghdad, and one of his customers, Sheikh (Makhlouf), tells him: Shahbandar al-Tajjar said that he had a son who was constantly ill, named (Qamar al-Din). He suggests that he get him a slave girl, perhaps she will bring joy and happiness to his heart. Indeed, his father buys a slave girl named Baddour. She discovers that the cause of his illness is his love for (Shams), the daughter of the judge, so Badour suggests that he convince his father to guide her to the judge so that she can be the messenger of love between (Qamar) and (Shams), and Bahbah helps her in that. He knows the judge. By order, he imprisons them all and they try to escape.

The talent agent Ari Sheinwold is visited one day by his top client Vincent Gallo for a meeting, which begins with some good news. When Sheinwold does not receive the response he expects from Gallo after telling him the "good news", the agent begins to reveal his true nature.

An interaction between two downtown legends and a pigeon.

What really happened during Shakespeare's 'Lost Years'? Hopeless lute player Bill Shakespeare leaves his home to follow his dream.

A bitter film director is forced to explain why her latest film, 'She's So Cold', reflects worrying ideas about relationships and men. Reluctant to cooperate, she hijacks the interview and propagates her own twisted perspective on life.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter's evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.

Stranded in Egypt, Bud and Lou find themselves in the buried tomb of a living mummy.

Ollie falls in love with a woman. When he discovers she's already married, he unsuccessfully attempts suicide but he and Stan then decide to join the Foreign Legion to get away from their troubles. When they’re arrested for soon trying to desert the Legion—they escape a firing squad by stealing an aircraft.

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

When a store clerk organizes a contest to climb the outside of a tall building, circumstances force him to make the perilous climb himself.

A misogynistic old man goes to complain about "his rights" after a woman is elected as the leader of his village's cooperative.