A newspaper photographer researches an 1873 double homicide and finds her own life paralleling that of a witness who survived the tragic ordeal.
The clues to a young woman's death come together as the lives of seemingly unrelated women begin to intersect.
Lisa, an aspiring songwriter, whose farming family has suffered foreclosure is forced to work at a new, 'urban farm' where she meets Dalia. Her casual racism leads her to be fired but the women end up drawn into a passionate affair.
Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children, while she's in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's "perfect marriage". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.
Based on the real-life adventures chronicled by Cameron Crowe, Fast Times follows a group of high school students growing up in Southern California. Stacy Hamilton and Mark Ratner are looking for love, and are helped along by their older classmates, Linda Barrett and Mike Damone. Jeff Spicoli, a perpetually stoned surfer faces-off with the resolute teacher, Mr. Hand. Hilarity and heartbreak ensue.
A classic comedy of mistaken identity and romance set during the holiday season at a ski resort that is owned and operated by a Native American Nation. Shot on location at The Sundance Resort in Utah, this is the first contemporary romantic comedy to feature an almost entirely American Indian cast. The film was featured at the 2001 Sundance Film Festival.
It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.
A geologist, Sarah Portico, travels to a remote island to investigate an environmental mystery. Upon her arrival, she experiences strange visions, dreams that seem to predict her future, and eventually force her to confront her painful past. As Sarah uncovers the cause of the environmental mystery, she discovers her true self. Out of the Fog is an experiential film about emotional healing and self-discovery.
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.
Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.
The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.
A directionless teenager (Aesha Waks) becomes involved with a headstrong runaway (Summer Phoenix) and her drug-dealing brother (Sam Rockwell).
A New York schoolteacher experiences a midlife crisis when, in quick succession, her husband leaves, her adoptive mother dies, and her biological mother, an eccentric talk show host, materializes and turns her life upside down as she begins a courtship with the father of one of her students.
A mild-mannered bank executive mentors a teenage con artist and tries to make a career change as a doughnut merchant.
Nora is about to turn 40 and can't stop wondering: what's the point of all this? What was meant to be a celebration turns into a series of unfortunate missteps that push her toward self-discovery. With open wounds, unspoken desires, and a burning past, Nora confronts her family history, death, unemployment, the collapse of her polyamorous relationship, and the urgent need to redefine love, her sexuality, and what she truly wants from life.
When a couple of college kids decide to go on a hunting trip for their Christmas break, they get more than they bargained for when their past comes back to haunt them.
Mary (Kate Lyn Sheil) lives alone. She is waiting for something to happen in her life. Riding the elevator to work, a strange man, Hayward, grabs her shoulder and speaks to her telepathically. “Do you believe in magic?” This triggers a nervous breakdown. After a visit to the emergency room, Mary goes to stay at her sister’s house, and goes into therapy. Mary can now hear people’s thoughts, and she starts hearing music that seems to be broadcast from her mind. Adapted by Gary Walkow from his novel of the same name.
Sandra, a pub landlady, meets Otis, a travel agent. The two initially clash as they learn more about each other from overheard phone calls than they would like. But they get talking, discover an amazing affinity and find each other to be valuable love advisors for their personal relationship problems. When Sandra's husband Christian meets Otis' best friend Bill by chance one day, the emotional chaos is perfect.
A single man must suddenly look after his nephew.
On the Japanese island of Amami, despite lacking parental guidance, Kaito and his girlfriend Kyoko try to find their place in the world. While Kaito suffers from the absence of his father, who moved to Tokyo after his birth, Kyoko must come to grips with her mother’s terminal illness.