Philips Light Show

When a girl walks out of her house, objects come to life. Some coins are followed by a purse, dices have a fight among themselves, a thirsty glass looks for some water. Those objects try to live their lives dealing with all this "tiny matters".

"The Observer's Testimony" is an intense psychological video art piece fundamentally based on Slavoj Žižek's philosophical concept of Parallax. The work utilizes a split-screen format to simultaneously present the transformation of the same clay bust into two contradictory psychological realities: The Left Screen depicts the Hunter's (The Accuser's) hardening into a cold judgment and moral decay, conceptually justified by Murat Kaplan's facial analysis; while the Right Screen reflects the Victim's (The Innocent's) dissolution into helplessness, fear, and ultimate surrender. This organic yet unnatural transformation of the busts places the viewer in the irreducible gap between two contradictory testimonies. The core goal of the work is to demonstrate the impossibility of objective truth by proving that reality is entirely dependent on the observer's subjective point of view.

Debbie goes to Hell after committing suicide. Once there, she finds herself in the middle of a power struggle. The Devil asks her to get his horns back so that he can regain control of his realm.

A fantastical world where cats become the characters we’ve always imagined from assassins to superstars.

A human larva, viscous, faceless, covered in wounds, moves through an ordinary day of its existence: bathing, getting a haircut, watching its favorite film, and working on its art. A self-portrait about the loneliness and self-acceptance of filmmaking.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A bitter folk song.

Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors.

For years, Alba, Maydis and Judae have served a terrible Beast without ever thinking of opposing him, until now... Will Amanita give them back their hope for freedom?

A little frog falls asleep after a long day of work on his farm, but is awakened from his slumber by a mysterious noise.

Good Grief is a short stop motion animated documentary that explores the lessons we learn from dealing with grief and loss. Five real people share their true stories of losing something precious and what it has taught them about living.

A troupe of clowns gather to perform a story about a priest and a refugee, but as their misguided tale unfolds, the boundaries between fiction and reality begin to fray.

Monsieur Figaro

Stop Motion Collage Animation.

Stop Motion Collage Animation.

Join Eric and Lyn, a pair of armchairs who discuss the politics around Britain today. As this country is going through a real shift at the moment –what better time is there to record the thoughts of two elderly British people, to highlight this, than now?

Betrayed by those desperate to bury the secrets of Edo Castle’s reconstruction, Jingoro loses everything. His father figure, fiancée, and even his right arm. On the brink of despair, the legendary craftsman transforms his grief into an unyielding drive for vengeance. Armed with his extraordinary carpentry skills and a series of lethal mechanical prosthetic arms, Jingoro carves his own path to justice. With his loyal companion, the Sleeping Cat, he faces his enemies in a gripping tale of revenge and self-discovery.

Web Corp. follows the inescapable cycle of a worker fly trapped in a systemic web spun by a boss spider. Crafted through traditional stop-motion, the film clashes the organic, vulnerable texture of papier-mâché against the harsh, cold authority of steel wires, transforming capitalist exploitation into both a thematic and physical allegory.

A sand-and-chain-animated young writer fears for our world.

Party girl Annie and Gordon, a homeless man, travel through a remote subway tunnel to a different time; to a world where two children are held captive and tormented by bizarre figures. A multilayered animated film which brings to life the dark history of the Canadian residential school system, in which – as recently as the 1990s – First Nations children were being indoctrinated and estranged from their parents and culture.