National Theatre Live: She Stoops to Conquer

In 2008, as the Large Hadron Collider searches for the Higgs boson, tragedy throws two sisters together. The collision threatens them all with chaos. Olivia Colman and Olivia Williams play the sisters in this drama from writer Lucy Kirkwood.

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.

A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.

Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.

Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Joseph and Hanna. Irresistibly attracted to each other, Gino and Hanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.

An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed director Yaël Farber (Les Blancs, Hamlet) draws on multiple accounts to create her urgent, hypnotic production.

The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.

A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.

Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Fifty years after Richard Wesley's original production of Black Terror, Richard Lawson directs a bi-coastal cast of revolutionaries on a daunting mission to free their people. As the Black Comrades Keusi, M'Balia, Geronimo, and Ahmed fight on the edge of life and death, the divide between them intensifies and widens.

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

Tomby, a challenged teenage boy, manipulates his family who cater to his every desire. Only his twin brother Greg treats him as a human being capable of development. A powerful drama / dark comedy with a surprising ending.

The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

'Must I remember?' Hamlet's father is dead. His mother has remarried. He is alone with his thoughts. Then, he speaks. Haunted by grief, and with his world spinning violently out of control, Hamlet has to make some decisions: forget or remember; live or die.

Embark on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England. The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.