Oli's Wedding

Catherine is taken to dine at "Eau de la vie" an opulent cafe known for its unusual entertainment. Her business associates Grant and Sarah intend to initiate her into their sordid society and strip her of her innocence. Catherine must choose from a small group of performers who will entertain the diners for the evening. She selects a young attractive man unaware that the finale of the evenings entertainment will end in his dead. To save the young man she has chosen, Catherine is driven to fight for her own life but oblivious to her struggle the other diners believe it is all part of the evening's entertainment Catherine has to stand alone. They say that evil triumphs when good people do nothing. Eau de la vie is a dark tale of hedonism and individual courage.

16-year-old Frida and Mona take the train from the suburbs to Copenhagen on a Friday night to get rid of their virginity. They make themselves up and change their clothes in the ladies' room at the Central Station and the manhunt in Copenhagen's night-life can begin.

A short film that explains the quote, the greatest gift that we can give, is the gift of self.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

When Tom travels across the country to locate the Daughter he never knew, undeniable questions of consequence rise to the surface when he offers a ride to stranded young woman.

The comforts of home are sacred, sweet and beloved. Mark had all of that... a beautiful wife, an angelic daughter, a purpose. His role was simple: To provide and protect. There was just one problem. Mark never learned how to stand up for himself. He lacked self-confidence and avoided confrontation for his entire life. For the most part, his fears went unnoticed and he was able to cloak his nervousness, until the day that everything around him changed. Mark finds himself in the middle of a very dark and terrifying predicament and is left with only one choice. He can stand up and fight, or lay down and die.

A husband and father starts to dig a hole in his backyard, for no apparent reason.

A group of middle-class friends driving around São Paulo choose one of the women as a bait to attract a victim, object of their alienation and moral aggressiveness.

Taipei 24H divides 24 hours in Taipei into 8 shorts. It opens with Cheng Fen-fen's upbeat and comedic "Share the Morning", and ends with Lee Kang-sheng running the final leg of this relay with "Remembrance" at 4am. Well-known director Tsai Ming-liang makes a rare appearance visiting a late night coffee shop. Taipei 24H is a contemporary urban chronicle of a city rarely at sleep.

A backpacker on the run from home writes a letter home, but there may be more to him than appears.

"Bells of Waiting" - a horror short by Glenn McClanan - tells the eerie tale of Vanessa, a young professional who goes to her ex-boyfriend's apartment to pick up her last possessions, only to discover a chilling secret that changes her life forever.

Christmas and New Year. Three girls between 18 and 20, are hospitalized with cancer. All three of them have serious problems, not just in terms of health, but also in terms of their relationships with their nearest and dearest. The girls find a haven in each other's company, where they are free from the fear of death and loneliness, and a substantial part of the film describes their sense of humour, unrestrained candidness and uncompromising zest for life.

After Singapore must demilitarize its bases in Taiwan, a young Singaporean man and his lover must part ways. They spend an entire night together wandering aimlessly hoping to come closer to understanding their future. With only hours left, the bond that renders their connection to each other palpable is severed.

After a violent episode in biology class, the outsider Lykke begins to change. There is something very wrong and soon a big showdown with the outside world awaits. The beast in her has been awakened.

In a desolate world, in a city of madness, José Ditirambo is a wolf among wolves, a fury among furies, an intrepid journalist whose favorite weapons are humor and logic, until he embarks on a mission to find a woman he has heard asking for help through the pipes in his bathroom.

Danny ponders a way for rival gangs to avoid violence at an upcoming dance.

It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.

A cartoonist. His wife. His characters.

A haunting short version of Edgar Allan Poe's famous story about a cruel and unusual punishment inflicted on a victim of the Spanish Inquisition...

Saved from shipwreck, a little girl is taken into the protection of the North-African tribal chief and named "Zohra".