Ukraine: Life Under Russia's Attack

Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Between 1930 and 1945, Eastern Europe experienced mass violence on an unprecedented scale. Hitler and Stalin exploited the vast region for their respective expansionist plans. It is estimated that around 14 million civilians were murdered—primarily Jews, Poles, Balts, Belarusians, and Ukrainians.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.

The film tells the stories of three protagonists, which are intertwined in one story about the Master: a rural school pupil who dreams of ballroom dancing – Makar, world champion in ballroom dancing – Alex Ivanets, and his first teacher – Petro Horhol, who lives in a small Ukrainian town of Poltava.

Analysis of the impact of natural gas - more specifically, the Ukrainian and European dependence on Russian gas - on European politics in the wake of Euromaidan. Featuring interviews with high-level government officials, journalists and industry analysts from several countries, the film argues that a generation after its break from the USSR, Ukraine is independent in name only. To bring the country to its knees, all Russia has to do to is turn off the gas, as it did briefly in the winters of 2005 and 2009.

Pulitzer Prize-winning conflict photojournalist Lynsey Addario reflects on a career working in some of the world's most dangerous war zones, including the Russian invasion of Ukraine.

In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. By 2020, Natasha has lost everything to Russia's war between Propaganda and Truth.

A docu-art film about Kyiv and the contemporary problems of the capital. The film raises the issue of the dilapidated state of Kyiv's old buildings and the search for effective mechanisms to preserve the city's architectural heritage.

Nazi troops massacre 30,000 Jews over a three-day period in September 1941. Babyn Yar ravine in Kyiv, Ukraine.

In 2022, Mantas Kvedaravičius went back to Ukraine, Mariupol, at the heart of the war, to be with the people he had met and filmed in 2015. Following his death, his producers and collaborators have put all their strength into continuing transmitting his work, his vision and his films. Also a PhD in anthropology, Mantas Kvedaravičius wished to testify as a filmmaker as far as possible from the agitation of the media and the politicians. With huge force and sensitivity, Mariupolis 2 depicts life as it continues amidst the bombing and reveals images that convey both tragedy and hope.

In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.

Deep in a forest by the Baltic Sea, a group of Ukrainian families come together to start the healing process with the help of golden retrievers and palamino horses at an animal therapy retreat. In the safety of the forest, the children’s memories of being illegally deported to Russia and their families’ struggles to rescue them are unraveled with the help of skilled and sensitive counsellors. The joy and humour the children discover during their time in the forest make it easy to forget that their stories are the reason the International Criminal Court recently issued an arrest warrant for Vladimir Putin. Nearly 20,000 abducted children remain in Russian institutions.

Mothers and fathers of gay, lesbian, and trans children from Georgia, Moldova, Russia, and Ukraine travel to Berlin to walk together in the Pride parade. Living under one roof, they prepare for the march — painting signs, cooking borscht, and reflecting on how their relationships with their queer children have evolved over the years.

The film tells the story of the events in Western Ukraine before the outbreak of World War II, the rise of Soviet rule, changes in borders, and the disappearance of entire states from the world map. The film is based on archival documents, materials and memoirs of witnesses, representatives of the Ukrainian, Polish and Jewish peoples of pre-war Galicia.

Since Russia was brought to its knees in the 1990s by crippling debt and the grip of the oligarchs following the collapse of the Soviet Union, Vladimir Putin has made it his mission to return superpower status to Russia. While not partisan to Putin's wrongs, this insightful doc examines the logic and motivations of Putin's vilified regime, and why he is so loved in his homeland.

At a time when French flags are being burned and French embassies targeted, this documentary delves into the growing disaffection between French-speaking Africa and the former colonial power. Through the voices of African leaders, pan-African activists, and committed young people, the film questions the persistence of a relationship marked by the aftermath of colonization, the opaque agreements of "Françafrique," and a military presence deemed paternalistic.

Against the backdrop of historical events, from the time of Kyivan Rus' until the arrival of the Ecumenical Patriarch Bartholomew in Ukraine, the film deals with the history of the construction, flourishing, destruction and revival of the Mykhailivskyi Golden-Domed Monastery over 900 years, as well as the difficult history of the struggle for independence of Ukraine. the church that continues to this day.

The artists Zhanna Kadyrova and Denys Ruban spent two weeks in the basement of their house, fleeing from the rocket attacks and sabotage groups of the occupiers that were flooding the outskirts of Kyiv at the time, and then decided to evacuate to western Ukraine. Local residents of one of the Zakarpattia villages sheltered them in a picturesque house on a hillside, next to a river. Doing what you know and love for the benefit of Ukraine is the best thing an artist can do in times of war. This is how the Palianytsia project was born - a series of objects made of stones cut by a mountain river. Zhanna sells them to patrons and galleries and uses the proceeds to buy bulletproof vests, radios, thermal imagers and other things our soldiers need. Before she sends her ‘loaves’ to Venice for the Biennale, Zhanna holds an exhibition in the village where she now lives, so that the people who have taken her in can be the first to see her art.