Middle-aged Jean-Marc invites the much younger Simon for dinner in his Paris apartment. After an initially warm meeting, they discover each other’s expectations, leading to an escalating tension throughout the evening…
Jodi, the tallest girl in her high school, has always felt uncomfortable in her own skin. But after years of slouching, being made fun of, and avoiding attention at all costs, Jodi finally decides to find the confidence to stand tall.
Two men at a rural bus stop argue about what they think they see across the street, in the dark.
If luck is a lady, grief is a bitch. A young woman loses her mother and finds herself.
Día 8: El Día que Decidí Esperarte
An aspiring documentary filmmaker records the post-college struggles of her best friend.
Nahal breaks her arm in a fight at school. A man claims she hit someone while riding a motorcycle and fled the scene because she didn't have a permit. Nahal claims the CCTV will show that she hurt her arm at school.
A rookie filmmaker on a TV production set tries to survive a constraining environment where people don't respect her boundaries. During the wrap party, she begins to process what she experienced.
The thriller "Damned Memory" tells the story of Yoko (Leticia Takara) who lost her memory recently. Cintia (Mariusa Bregoli) tries to help her remember. Strange events occur in the house during the night, causing horror to friends and to all who enters there. Yoko has strange visions pounding in her mind and it says something inhabits her house beyond Cintia and her. Gradually, Yoko will recover, but what comes up are memories that must never be remembered.
Two young women convince each other they are under threat after accidentally photographing what they believe to be a concealed automatic rifle. Shot in drawn-out, static takes, Emma Doxiadi’s comical mystery comments on Greece’s ongoing refugee crisis in real time, pointing squarely at foolish knee-jerk reactions.
A chance encounter dangerously intertwines the lives of three people with differing perspectives on love.
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
Hellbound Taxi tells the story of Steve, a retired bounty hunter who gets dragged back into his former profession when an old enemy escapes from prison. Though Steve is past his prime and maybe coming close to losing his nerve, he has a secret weapon: a supercharged taxi cab possessed by an infernal being that's hungry for the souls of the sinful.
The story of a simple pair of shoes, and their owner.
A man loses his head since he lost a loved one.
A Stance Thriller: Exploring How Perspectives Dramatically Change Outcomes After a Minor Collision
In the main square of the town of Avila, everybody is celebrating the feast of Saint Eurosia, protector of earth's harvest. But something is happening in the village bar...
Two gay-straight best friends find their close relationship upended when one gets a new girlfriend.
Hunter Carson receives a letter from his old Uncle Jack imploring him to visit in Spain. When Hunter arrives in Barcelona and Jack is nowhere to be found, the young man follows a series of clues that lead him to a surprising revelation about his family and future.
Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.