Jusqu'ici, tout va

During the last years of Franco's dictatorship, Fernando, an old republican exile, returns to his home in a small Castilian village and befriends Aurora, a young and attractive teacher.

Jakob Yzermans is an American salesman looking for his roots in Rotterdam. He thinks his father (Hendrik Yzermans) has left Holland with the money he took from his collegues. Jakob is trying to get the money together to repay the money. While doing so he encounters more and more problems.

Hollywood, 1930s. Tod Hackett, a young painter who tries to make his way as an art director in the lurid world of film industry, gets infatuated with his neighbor Faye Greener, an aspiring actress who prefers the life that Homer Simpson, a lone accountant, can offer her.

In a rundown area of Buenos Aires, at the dawn of the 1980s, Adrian LeDuc owns both a struggling movie theater and a shabby apartment building filled with eccentric, squabbling tenants. To make ends meet, Adrian takes in a roommate, Jack Carney, but soon begins to suspect that the quiet American is responsible for a series of political assassinations that are rocking the city.

Clarice wants to make a film about Jonathan, an unexpected and surprising filmmaker.

A troubled filmmaker struggles to watch his own film in a cinema inside his head, along with a made-up audience that negatively reacts to his film, State of Matter.

An obsessive young director & his crew plunge into a frantic night long odyssey of desperation to finish his film no matter the cost.

Miguel and his uncle Kechus want to make a film about the vampire world.

Madrid, Spain, 1975. Sandra, Lina and Eva are three beautiful women who work as actresses in erotic movies. After meeting during a shoot, they become friends and begin to share experiences, concerns and successes in an era of increasing openness, although true freedom is still far away and demands a price hard to pay.

César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.

Rosario

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Based on the life of a classic french cineast Jean Vigo, the story follows his daily struggle with sanity, normal life and uncompromising filmmaking. Story also focuses on his relationship with his supporting wife whom he met in sanatorium.

London, 1956. Genius actor and film director Laurence Olivier is about to begin the shooting of his upcoming movie, premiered in 1957 as The Prince and the Showgirl, starring Marilyn Monroe. Young Colin Clark, who dreams on having a career in movie business, manages to get a job on the set as third assistant director.

Lamento

Una mujer frente al mar

Marc is a different boy from the others. He just lost his best friend, the year that he started college. He lives in a society of internet, social networks and the desire of young people to be adult. He decides to question his emotions. In him, he discovers his fears of being an adult and leaving the childhood stage. He scares to grow up unlike the others. With the support of the memory of Oscar, in the middle of the city, between tears and laughter. Marc learns to let go, heal old memories, and redefine his emotions.

In 1939, boy-wonder Orson Welles leaves New York, where he has succeeded in radio and theater, and, hired by RKO Pictures, moves to Hollywood with the purpose of making his first film.

El vestido Rojo

On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.