Nico is a simple 11-year-old kid living a simple life. But whenever he plays the MMORPG called "Metanoia", he transforms into a hero of his own little world. One day, the Metanoia network is infected by a virus that affects the online world, and Nico goes on a journey with his friends to save it and prevent it from taking over the offline world.
Mateo is a lighthouse caretaker dating a teacher Suzette. The small town they are in is trying to increase tourism. Jerome stumbles across Mateo and Suzette having sex, whilst he is on holiday from Manila. A local a gay man, who pays local teenage boys for sex, talks to Mateo about the negative aspects of being gay in the Philippines. According to local legend, a lighthouse fairy seduces desirable men who then never marry. Mateo's relationship with Jerome leads to self reevaluation
An experimental lo-fi love story told through still photographs, an unseen character longingly admires a young woman from afar.
War exploitation low budget flick about JAP atrocities on captured women.
It tells the story of Carding and Luisa, a married couple torn between their love for each other and issues of their respective families.
Relationship problems plague a family of siblings in director Catherine O. Camarillo's multilayered indie drama. Businessman Jimmy is reeling from the shock of being dumped by his fiancee, while his sisters cope with their own romantic woes. Leslie can't decide between two eligible bachelors, Annette nurtures a long-distance love, and housewife Claire can't get pregnant.
It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.
A story about Celing and her kid brother Pidingare recently orphaned and they come to Manila to find work in the home of their late parents' hacienda landlord. But they are treated miserably by the landlord's ill-tempered wife, Doña Esperanza.
The story follows the Lorenzos and the Ojedas, the two land-owning clans in the island province of Negros, who were trying to cope and survive the war that lasted three tumultuous years, where they experienced or witnessed violence, blood, horror, and death. It is structured into three parts: Oro, a life of luxury and comfort in the city; Plata, a still-luxurious time of refuge in a provincial hacienda; and finally, Mata, a toilsome retreat deeper into the mountains. A war not only turned them into miserable people but also turned them into animals.
Ahmad belongs to the Bangsamoro people. While many of his kind are bent on fighting, thinking that Mindanao is only for the Muslims, Ahmad prefers to live a simple and peaceful life. He works as a doctor in Manila while his wife, Fatima, and his only son, Ibrahim, stay in Mindanao with his mother, Farida. Ahmad is shocked and devastated when Fatima breaks the confounding news. Ibrahim was killed by a stray bullet when vigilantes indiscriminately fire at their village. Ahmad goes back to where he came from Mindanao. Ibrahim’s death did not cause Ahmad to stop striving to live a peaceful life, much to the consternation of his brother, Musa. His brother takes an exactly opposite stand. Musa believes in waging a war against all the Kaafir (unbelievers) who may impede the Moro’s goal of independence. He even trains his young son, Rashid to a Muslim warrior’s life.
Set during the terrifying reign of Filipino despot, Marcos, two upper caste but very different strangers team up to try and survive the physical and mental torture they undergo after they are suddenly jailed. Geny is the conservative businessman while Serge is more sensitive and outgoing. Both of the young men's parents give all of their money, but the government refuses to free them. Even a mutual hunger strike fails to move their jailers. In desperation, Geny and Serge begin plotting their escape.
A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.
Selya is disappointed with Bobby who only wants sex but no real relationship nor marriage. So she leaves and decides to marry the gay Ramon who, she is convinced, is definitely different.
Crime does not pay, so the adage goes. But feisty and outspoken Rosa (Rosanna Roces)--however sharp-witted--does not know any better. Doggedly out for bigger money, she is quick to rebuff even her lover Dado's (Diether Ocampo) pitch for a new life. What will they risk to succeed? What will they give to taste the sweet pleasure of living peacefully and not running away from law and the syndicate anymore? Will their love for each other endure in the end?
Decades before the rise of liberalism in Spanish-era colonial Philippines, a young charismatic preacher leads a movement for equality and religious freedom for his fellow native Filipinos. He is hailed as the Christ of the Tagalogs, but is sentenced to death for heresy by both Church and State.
Three generations of women, who run a destitute eatery, navigate through life in the slums with their love potion-laden dishes that mirror their desires and affection.
Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.
The film tells the story of a former 1980’s film cameraman who now currently works as a movie pirate operating in present day Manila. He routinely smuggles a digital camcorder into movie theaters in order to illegally record films. One night he records something else... And the footage goes viral.
Victoria Lansang is a popular news reporter who has been requested to mediate a hostage crisis. And in front of a national television audience, something horribly goes wrong and people are killed while Victoria suffers a mental breakdown. A year later, she’s eager to get back into the game. However, the only assignment she can get is to do a documentary on the last night of The Diplomat Hotel in Baguio City, a crumbling and abandoned building infamously known for its bloody past and its hauntings. Looking for redemption, she arrives there with her crew and they start filming. But as they get deeper into the night, the place starts to exert its will on them and they find out exactly what monstrous evil awaits at The Diplomat Hotel. By daybreak, their lives will never be the same again.
An erotic 16th Century period drama, the film examines the initial encounter between the Indios (natives) and their colonizers (Spaniards) and their conflicting views on love, passion, religion and sexuality.