Enter Hamlet is a collage of images in cartoon form of a word put in balloon in each jump-cut scene as that word is said by the narrator Maurice Evans during his “To be or not to be…” soliloquy recording.
Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
The rise and demise of one model's career through the eyes of a famous yet fading photographer.
This 12 minute short was released as part of the Choose Your Own Adventure option on the H&K Guantanamo Bay DVD. The blurb is: "Ever wonder what would have happened if Harold & Kumar had not been sent to Guantanamo and simply made it to Amsterdam? Here's a little something director Jon Hurwitz shot guerrilla-style all over Amsterdam in 3 days."
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
A Materialaktion (an art performance/happening in which objects are used to create an art piece) by Viennese Aktionist Otto Muehl. The setting is a solemn Christmas celebration.
In order to make money for the aerial review, a group of students organize the fashion program for the "Yugochic" company, doing some small frauds as well.
A young, aspiring fashion designer wants to bring more sparkle to the world and brighten it for those around her. Despite being told no on her initial ideas, she learns to stick to her instincts and to never give up on her dreams.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Scene 23, Slow pan The wind whistles over the dykes of the Willebroek Canal. Armand sighs. The viewer should feel goose bumps under their thick sweater. Make it clear that at this moment, Armand is craving a cup of Borain coffee. Scene 456, Armand's farm Armand puts down his coffee cup. Through the window, he sees a beautiful Romanian refugee with AIDS playing the cello in the beet field. Behind Armand, his wife, a former RTBF announcer, commits suicide by hitting herself with hot potatoes. Scene 2,347, sublime landscape of Flanders Armand can't take it anymore: will he choose the position of deputy for the Vlaamse Blok or that of puppeteer subsidized by the CUCF? No one can say.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
A high-speed drive through the streets of Paris.
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.
On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.
The story of a Soviet military serviceman and a male Georgian dancer. An anti-violence film about the awakening of human instinct in an invader
It's a love story between a fashion blogger and a video game blogger. The beauty and the nerd.