When Sid comes out as a woman, a 14-year-old boy named Ralph literally shows up at her door announcing that Sid is his dad. Ralph is surprised to discover that his father is now a woman, but thinks having a transgender dad is pretty cool. But Ralph hasn't told his mother and stepdad that he’s tracked down his biological father. And then there is Sid’s boyfriend Daniel, who has yet to tell his family of his relationship with Sid. Daniel is nowhere near ready to accept Ralph as a stepson and complicate his life further. Sid’s coming out has a snowball effect that forces everyone out of the closet. What happens when gender, generations and cultures collide to create a truly modern family?
A father, who calls himself "open" and tolerant and fights against any form of discrimination, reveals himself as not so liberal when his son announces the engagement to his partner. Overwhelmed by the news, he regresses into the most fierce opponent of same-sex marriage, and tries to undermine his son's happiness with a series of embarrassing situations.
Phone messages from the cat-loving landlord living directly above you. Ah, New York.
Rich Bradford seems like your everyday great boyfriend. He has a good job, a nice car and the perfect girlfriend, Amanda. What she doesn't know about him is that he is only after one thing. His best friend Stu from college days knows how much of a womanizer Rich really is. When the day comes that Rich thinks he is finally going to romance Amanda, he is interrupted by her gay friend David who walks in on them. The same day he is dumped by Amanda is Rich and Stu's fraternity reunion. How can Rich go alone? All of his fraternity brothers always saw him with a girl. Stu on the other hand gets a visit from an old fraternity brother he has kept in contact with over the years. Much to Stu's surprise, when the brother comes, he is now a beautiful woman, Erica. Stu brings Erica to the reunion and she catches Rich's eye. Will Rich finally get his just desserts or will he realize in time that his dream girl used to be a man?
Once upon a time in the village of Kromer lived two beautiful young wolves. Cocksure Gabriel takes newcomer Seth under his paw and helps reconcile him to the vilification associated with being a wolf. They fall head-over-heels in puppy love, playing together around picturesque waterfalls, secluded woodlands, and moonlit lakes. One day a wicked old crone and her goofy sidekick kill their mistress, frame the wolves, and incite a torch-bearing mob of religious zealots to seek vengeance on the hapless pair. But who will live happily ever after?
In this, her first non acting effort, writer/director Jamie Donahue parodies the 1950's high school educational film.
A poet sells his collection of comic books and action figures in order to afford to hire a male stripper on New Years Eve.
Recently broken up and barely enduring a dreary winter, gay Parisian Jérôme Beaunez impulsively books a solo Christmas vacation to Los Angeles. While there he meets some colorful locals and pursues a dormant desire to become a movie star - but never can quite put the past behind him. In this meditation on love and narcissism across continents, Jérôme goes far in the sun-drenched City of Angels but ultimately arrives at an old Hollywood maxim: there's no place like home.
With his life already in shambles — his girlfriend just dumped him, he's lost his acting gig, and his cat is seriously ill — sad-sack Jimmy Zoole (Steve Guttenberg) comes home New Year's Eve to find a gay burglar (Lombardo Boyar) looting his apartment. Taking the intruder hostage, Jimmy threatens to unleash his pent-up rage on the would-be thief but instead begins to bond with his captive.
Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.
Reminiscent of Sunset Boulevard, the action is transposed from the silver screen's old backlots to contemporary male prostitution and the pornographic industry.
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein, whose principal interest was the nature and limits of language. A series of sketches depict the unfolding of his life from boyhood, through the era of the first World War, to his eventual Cambridge professorship and association with Bertrand Russell and John Maynard Keynes. The emphasis in these sketches is on the exposition of the ideas of Wittgenstein, a homosexual, and an intuitive, moody, proud, and perfectionistic thinker generally regarded as a genius.
Via Montenapoleone in Milan is the ritziest street in the city and here the destinies of several characters, playboys, models and gays cross and diverge.
Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.
Two policemen must pretend to be a gay couple in order to investigate the murders of homosexuals in Hong Kong.
A soldier who once saved the entire country is assigned to guard a genius child whose intellect is needed to foil the plans of an evil villain.
Joris is trying to come to terms with his broken family relationships on the 10th anniversary of his father’s death when he meets the free-spirited, Yad. Also dealing with family issues, Yad has returned home to The Netherlands after living on his own. Joris and Yad spark an instant connection and decide they want to be more than “just friends,” but fear their families could threaten their relationship.
Peter Kasimsiman was once a submissive son to his parents. But losing his mother at a tender age, left him with an abusive father who only knew of tending to his carriage horse, Brown Beauty. Peter is eager to win the love and attention of his indifferent Tatay. But an unfortunate incident forces him to run away from home. His horrible life starts to change its course when he meets the nurturing haciendera Helena who provides him shelter and unconditional affection he knew his father would never be able to give. Helena teaches Peter love and kindness, grooming him as the sole heir to the hacienda in the event of her death. Albeit fueled with the guidance of the good-natured foster mother, who's known for her passionate concern for her employees, Peter has an intolerable bad temper especially towards her mother's loyal servant, Maita and the latter's beautiful and gifted daughter, Samantha.
Through the different erotic stories of various characters, the film searches for the different types of bonds in a middle-class modern Greek family, its hopes, expectations, problems and everyday paranoia that its members encounter.
Pedro, a gay man with an active social life and big circle of friends, takes in his nephew Bernardo for a couple weeks. When it appears as though it might become a permanent arrangement, however, Pedro turns to his friends for guidance as he and 9-year-old Bernardo begin to forge a household together.