Rodia-Estudiantina

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

This film is an in-camera portrait of the place Ville Marie Royal Bank Building in Montréal.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.

Engaging themes of love and betrayal, hope, belonging and place, Glad You’re Here documents my nineteen--year journey through building a family life, seeing it suffer the damage of mental illness, grief and separation, and then rebuilding with empathy. A story about an extreme moment of crisis has turned into a documentary that deals not just with the subjective but with the important issue of spousal abuse.

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

Pontormo and Punks at Santa Croce

In the summer of 2008, Enzo travels to Berlin to work on a creative documentary and find a former lover.

A batch of mushy sourdough. Two radioactive lizards. Three cans of Campbell’s tomato soup. When COVID-19 lockdowns began in 2020, people around the world began reporting more vivid dreams.

A behind-the-scenes documentary charting the creative rise and development of Studio Rosto A.D and Thee Wreckers through their art, music and films.

A peculiar walk through the Basque city of San Sebastián along twisting roads never traveled by guidebook users.

Documentary behind the making of the animated short film Dim.

Spring at a Viennese Lake, but too cold to swim. Nobody there who wants to be filmed.

Jeff Krulik, the no-frills documentary filmmaker and collector of the offbeat who gave the world Heavy Metal Parking Lot, presents this hilarious collection of short videos and films by himself and others.

Guerrila filmmaker Krulik bring us his films of the last decade in one handy package. Features "Heavy Metal Parking Lot," its sequel "Neil Diamond Parking Lot," "King of Porn," "Mr. Blassie Comes to Washington," "I Created Lancelot Link", and "Ernest Borgnine on Tour."

Come What May documents the extraordinary life of Mary, a parent carer, and the challenges she has overcome to support herself and her family.

A short documentary about Dave McKean's process of creating an image.

Naomi Kawase observes people in the city of Shibuya with curiosity and openness, drawing parallels between life and filmmaking and discovering her abilities as a filmmaker.

This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.

Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.