Now United: Dreams Come True

The musical, performed by the members as themselves, forming three main couples, is about love. Which is treated to the rhythm of songs where the members dance and sing representing what they feel in each specific moment.

Three friends take an 8-day road journey to make sense of Lebanon at this moment in time. Each detour in their journey makes for a spectacular experience of co-narration and listening in the face of uncertainty.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

The incredible story of the Yatza Affair an affair in which Brigadier General Res Yitzhak Yaacov was charged with severe espionage against the State of Israel For the first time in a feature film the long arm of the Secret Kingdom of the Israeli defense system which is unleashed on anyone it considers an enemy is revealed. This is a journey into the most primeval fears of the Israelis

We Are Arabbers follows the last of the horse-and-wagon produce vendors along the streets of Baltimore as they struggle to make a living and maintain their unique culture.

Rural Oregon families have taken up the fight against aerial herbicide spraying by the forestry industry for more than 50 years — but has public safety around these substances since improved? Weaving historic archival footage with modern-day stories, the film is a powerful portrait of families grappling with the realities of herbicide exposure in their own backyards.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.

A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.

Nous, ouvriers : « Nos rêves ont façonné la société » (1963-1983)

A Czech director wrestles with problems personal and political during the Prague spring of 1968.

"It advances in the magic of a sky of snow to meet an Auvergne phantasmagoria, or rode still the cruel beast."

This documentary is an exclusive collection of interviews and footage charting Sonic's life from inception through to becoming one of the most iconic characters in video game history.

A young group of actors are preparing an updated version of Shakespeare's ROMEO & JULIET. Two boys perform the central roles - both of them struggling with their own questions of love alongside their roles on stage. And as rehearsals begin, reality soon starts to interfere with the play.

Dua Lipa transforms Rock in Rio into a dance floor and makes a perfect pop show. Dua was the last attraction of the World Stage (Palco Mundo) of the festival, this Sunday (September, 11). The Albanian-born British singer has more than 60 million monthly listeners on Spotify and her latest album has garnered more than 4.5 billion streams to date. The single “Don’t Start Now” is a worldwide phenomenon with more than 1 billion streams on Spotify and reached number two on the Billboard Hot 100. Dua Lipa made Rock in Rio dance.

Megan Thee Stallion performs on the World Stage (Palco Mundo) in the last day of Rock in Rio, with a look inspired by Brazilian samba, this Sunday (September, 11).

Trustfall

Voglio che stai bene

Wallride

With Istanbul, Martine Rousset puts on the brakes to the world's movement through a cinema of deceleration. At the boundaries between image by image movement and optical fusion, the rhythm of the film gives way to a suspended or floating time. Is it not certain that the idea of duration is more able to render a perception of the city that rather burns for intense emotion. It seems as if the camera cultivates a dreamy half-sleep. To this soft throbbing, blends however, variation of exposure as well. Therefore, at certain times, seeing becomes fragile and dangerous.

The inside story of Alexander Litvinenko's murder in London and the subsequent international manhunt that led to the Kremlin, told in full for the first time, with exclusive access to key individuals.