We Have Homeland

From the creators of 31 Minutos, here comes the story of a rock that didn't want to grow up...

ETERNAL ASHES tells the story of a mother, Ana and her daughter, Elena. Although they are separated, in the space and time they remain united forever. The people and the millenarian culture of Yanomami are the framework of this story about the unbreakable bonds of filiations. After an accident in the furious flow of the mythical Orinoco River, in the fifties, Ana was considered dead. Elena as an adult and facing the negligible possibility that her mother is alive decides to leave to the Amazon to search her. ETERNAL ASHES is a story of filiations, poetry, wisdom and especially of humanity.

Talvez o Vento Saiba seu Nome

Augurio

Empatia por Ulises

Five stories, five perspectives on the same emotional territory called “country.” A Cuban actress tries to make her way in Chile; two women reunite after decades and confront the passing of time; another survives in solitude while facing her fears; a father and son seek reconciliation amid old wounds; and a birth turns into a desperate race for life. Five intertwined stories—small tales of love, loss, and hope—forming an intimate mosaic about identity, belonging, and the search for a place in the world.

A young girl is found dead off the Venezuelan coast. A medical examiner tries to determine the cause of death before the body is repatriated.

A sister relives her brother’s disappearance on the Colombia–Venezuela border. Her voice exposes an absence that doesn’t fade—one that cuts deep and shadows every day for her and her mother, a memory that refuses to die.

Santa Secreto

América Latina, séc. XXII

In 1750, in the glare of the Caribbean, the man who created history known as the forerunner of independence in Venezuela. His name is Francisco de Miranda and, to be exact, is the largest globetrotter who has known the Americas, Miranda has a reputation as an inveterate wanderer, an eternal conspirator, a turncoat, a conqueror of nobles and courtiers, a lover of asylums, libraries, prisons and brothels, has written 63 volumes of his autobiography, a friend of princes, military and world-renowned artists, collector of women and unthinkable dreams, restless fugitive, owner of ten different names, and presented by the British press the moment as the future liberator of Spanish America.

Brothers Daniel and Julio fight to escape a violent and poor Caracas neighborhood by playing soccer. Daniel wishes to go professional while Julio supports the family with dirty money. The opportunity of a lifetime comes when a talent scout invites them to the local football club. However, after their mother is killed in a shootout, each brother is forced to decide what's more important: family, revenge, or achieving their dreams.

An ex-con battles it out in the cage to pay for the operation that would save the daughter of his victim. Along the way he finds fatherly love, and friendship, in the most unlikely of places.

Lena lives a safe and happy life with her husband Alf and together they run a fish shop. No one who sees her can imagine what kind of hell she has gone through with her former husband Hannes. One day, her life turns upside down as a random meeting with Hannes leads to an emotional chaos for her. She thinks he has changed, but no one else wants to believe that Hannes is a new and better person. At the same time, Alf can only look at how his beloved Lena is drawn to Hannes who hurt her so much before.

When the sun hits

Barry Munday, a libido-driven wage slave who spends all his time either ogling, fantasizing about, or trying to pick up women, wakes up in hospital after a freak attack only to find that his testicles have been removed.

In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.

After Caribbean despot Mariano Vargas is murdered at the hands of his enraged populace, his secretary Ramón Vázquez takes not just control but also Vargas' widow Inés, with whom he's been having an affair. Special military unit leader Alejandro Gual arrives to overthrow Vázquez by turning the people and Inés against him.

In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.