El repartidor de pensamientos

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

The 1974 coup d'état set in motion a revolutionary process in which the radical transformation of the relationships that had previously existed within the family, in the workplace, and throughout society has never allowed for a return to the past.

Hot Splice is a semi-serious short documentary that highlights how destructive film repairs leave behind raw materials to experiment and play with. In a mixture of archival video, 16mm film scans, inexplicable French narration, and Atlanta trap history, this short takes bits and pieces collected during my time as an archival assistant to make something nouveau.

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.

A dough-eyed newcomer to New York is sent on a mental spiral of his own self-worth when he is asked to take photos of a random couple in a park and he finds out what it truly means to be a New Yorker.

Shows the measures taken to combat the drought which leads to famine

Expeditions in the Western Canadian Arctic

The history of art in Ethiopia. The film emphasizes the styles, materials, etc. ofpaintings on walls and roofs of ancient churche

Film about the Ethiopian famine of I984/85 and the measures taken to combat it

Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

An orphan girl chooses an old book from a box of donated charity items. In this book, she reads a story that she makes her own. When she collides with an old man, the story comes to life.

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

An anxious woman seeks to recharge her batteries by going for a walk in the forest.

A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.

Memories shot on expired Kodachrome 16mm film

Wally was born poor, but his buddy Dave chose this life. Wally wants to make an impression and move up in society, while Dave is content where he is. As Wally finds ways to scheme money, Dave teaches him the true ways of a bum life.

For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. When therapy isn't enough to solve her cherished phobia , Francisca turns to other types of methods - without any scientific basis and not recommended for anyone who suffers from the same condition.

Under an authoritarian regime, caught between the past and the future, a new regulation requires its citizens to bring a portrait of their great leader into their homes and care for it as if it were alive.

A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.