El repartidor de pensamientos

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

In 1960s Nagaland, a proud Konyak chief struggles to protect his dying traditions when an American missionary arrives with promises of aid that threaten his people’s identity. As his wife’s health deteriorates and famine looms, he and his mute son must make an impossible choice between survival and staying true to their ancestral ways.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !

Knucklebones follows the course of hysterical outburst to instances of alienation and isolation. From a 1903 newspaper, "While fifteen hundred persons looked on in breathless excitement, an electric bolt sent the man-killing elephant staggering to the ground. With her own life, she paid for the lives of the three men she had killed." The film combines archival with Super8 and 16mm original footage and intertext in an experiential exploration of gender, sexuality and identity. Featuring Katherine Crockett, prior to becoming a Martha Graham Dance Company soloist. "A haunting evocation of the body under stress."-Kathy Geritz, Pacific Film Archive

A close look at flowers and pollinators on a sunny summer morning.

Wind blows through the snow covered hills after a winter snow storm.

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.

Clouds forming and moving through the summer sky.

Morning dew in summer fields and meadows.

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

A short film featuring a pebble beach and coastal salt marsh in Maine.

A golden sunrise brings light to the foggy hills and meadows of late summer.

A study of the seashore in mid-coast Maine.

As the day comes to an end deer graze on a hillside, wild turkeys pass through a grassy field, and the full moon rises.

Sunlight in a winter forest.

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.

In a courtyard somewhere in Washington D.C., Senator Stevens walks and talks with President Nixon in this brief silent color film.

A blind man in a dark room melts into celluloid, feeling with his hands the messy layers of processed reality.