Donauspital

As debate in Canada and the world rages over health care, Hospital City offers a moving, human portrait of the people whom the issues touch most closely.

A documentary about the corrupt health care system in The United States who's main goal is to make profit even if it means losing people’s lives. "The more people you deny health insurance the more money we make" is the business model for health care providers in America.

IKEM: Jak se zachraňují životy, které ještě nemusí skončit

Urgences : Soigne et tais-toi

Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.

Four young Americans who've each suffered a Traumatic Brain Injury emerge from their comas at a New Jersey medical facility. Their eyes may be open, but now the real challenge for each of the patients, their families, their doctors and their therapists begins. Brain healing isn't predictable, we're told, and certainly is not guaranteed. So with each 'major' step forward that is observed (opening one's eyes, bending a thumb upon command, vocalizing a word, answering a question correctly) comes a sense of jubilant relief and hope from the families of these patients, but as we soon see, the more a patient progresses, the more difficult things can be for all involved. Moments of faith & hope contrast with disappointments & frustrations, moments of confidence with moments of doubt. It's difficult to watch, and unimaginable to have to ever live through.

A lost chapter in black British film: extraordinary rushes from a documentary showcasing talented members of the black community.

A variety of patients are brought in by ambulance 24 hours everyday. In Japan, ambulance as a part of municipal fire departments, do not charge for transportation to hospitals. Under the motto of "emergency care that never refuses," the Ekisaikai Hospital in Nagoya accepts everyone from the elderly with no relatives to those in need. However, the number of ambulances carrying critically ill patients reached a record high due to the pandemic. Patients rejected by other hospitals are pouring into the Ekisaikai Hospital, and the beds are filling up fast... Documentary filmmaker Takuro Adachi observes doctors and patients in various generations and background, and listens to their real voices.

"Welcome to my life", Sylvie Hofmann repeats this sentence almost all day long. Sylvie has been a nurse for 40 years at the North Hospital of Marseille. Her life is running. Between patients, her sick mother, her husband and her daughter, she has always devoted her life to helping others. What if she decided to think a little about herself? To retire? Does she have the right, but above all, does she really want to?

I started from the assumption that the discourse about the hospital could be the objective pretext for communication between two people, the link that allows them to continue writing to each other, the intermediary between two desires.

At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.

Naomi Kawase's documentary about Nishii Kazuo, a photo critic. He is the last chief editor for the Camera Mainichi magazine, rushing through his time with Araki Nobuyoshi and Moriyama Daido as provocative artists in the photograph world.

In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.

"On the Tip of the Heart" - is a documentary on the St Peter's Hospital in Brussels, structured around seven doors from the maternity to the morgue. This is an opportunity for the director to ask the audience a question, namely: what is there in common between a medieval city, human life and a hospital?

This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.

After a tragic series of events in his life, Rob discovers the over-the-counter drug known as codeine. The effects of the pill are so strong and addictive, that soon, Rob becomes dependant and consumes them daily. But the less he feels the more he misses, as his life degrades into a deep, dangerous, oblivion of bliss.

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

Cut off from his loved ones due to the strict COVID-19 lockdown at the long-term care facility where he lives, a quadriplegic rabbi is filmed by his daughter while reflecting on love, mortality and longing.

In the midst of a life-threatening respiratory infection, a young adult confronts the harrowing realities of an ICU stay, battling not only for his life but also to uncover the depths of his resilience and the transformative power of hope in the darkest moments.

Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.