Fulet

Based on the short story by Anton Chekhov, Kama Ginkas’ astounding reimagining highlights and builds off of the Chekhovian tension between the beauty of life and the tragedy of how it is lived. The story tells the the tale of philosophy student Andrey Vasil'ich Kovrin. On the verge of a nervous breakdown, Kovrin decides to visit his childhood friend Tanya Pesotsky at the estate of her father. As he and Tanya develop a relationship and eventually marry, a black monk of legend begins appearing to Kovrin in visions. Though these hallucinations at first imbue the young man with joy and energy, they eventually lead to his ruin.

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

Le Jeu de la vérité 2

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.

Ramsès II

When the Tugendhat family had their villa built in the late 1920s, they had no idea how many stories it would inspire. A few years ago, British writer Simon Mawer wrote a novel called "The Glass Room." The novel tells the story of Liesel and Viktor Landauer, set in Brno between the two world wars. He was a promising industrialist, she was a rich beauty from a good family. As a wedding gift, they received a plot of land and had an Austrian architect build them a monumental house made of glass and concrete. Inside the house, their family life unfolds, but so do passionate stories of infidelity and even lesbian love. Through the glass of their villa, however, they can also observe the brown threat approaching from Hitler's Germany and the transformations of the young Czechoslovak Republic. When the threat becomes real, the Landauers understand that their time in the fictional City and in the house with the glass room has come to an end.

Zbojníci a žandáři aneb Jánošík

Podivín

Phoenix Wright, Miles Edgeworth, and many more prepare to face off in the Judicial Olympics. Overseeing the event is executive chairman and former champion Godot. The trial will end when one lawyer receives the event's prestigious gold medal.

King Lear has three daughters, but no sons. Boldly he makes a decision to divide his kingdom among his children, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid and Lear finds himself adrift, wandering homeless and destitute. As he comes to realize the false values by which he has lived, he finally encounters his own humanity.

A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.

Two young swordsmen, Akado Suzunosuke and Tatsumaki Rainoshin, arrive at the city of Edo in their quest to test and improve their skills. Soon they become involved in a conflict against a mysterious group of demonic criminals led by the king of hell, Taira no Masakado — a strugle to which both were destined since the moment they were born.

A police drama that chronicles the efforts of a police officer to uncover an unexplained murder case that blends the lives of two women and a theater actor, the victim of an "artistic" shot, part of a play.

Albert Einstein

Sofia, Don Saverio's sister, confesses to her brother that she was the victim of a fateful event: while she accompanied her brother to Rome, while he was resting at a hotel, a terrible storm broke out during the night, accompanied by thunder and lightning. Frightened, she left her room to seek refuge in her brother's, when, after the lights went out, she accidentally entered a stranger's room in the darkness and fainted from fear of a violent clap of thunder. The unknown individual seized the opportunity and took advantage of her. From that turbulent encounter, Don Felice Sciosciammocca was born, Sofia's illegitimate son, now engaged to Marietta, Don Saverio's daughter.

L'abito nuovo

45 year old Don Valter is a traditional priest who still wears an old fashioned black tunic out of nostalgia. One day young Claudio and his exuberant troupe of actors appear, proposing to perform an avant-garde show based on the Gospel's miracle of the rebirth of Lazarus*. The powerless priest is overwhelmed by this young upstart, who stirs within him emotions that will, whether he likes it or not, pull him into the modern era.

Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.