You Bitch!

A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

A group of undergraduate students at UC San Diego learn the difficulties of creating an audio animatronic. Faced with budget and time constraints, these students embark on a journey filled with comedic moments, setbacks, and betrayal to get their animatronic named “Taro” to talk.

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.

Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.

"Pag-puti ng Uwak, Pag-itim ng Tagak" is a pulsating love story that recaptures the nostalgic fifties, the exciting era of mass hysteria, and the golden years of the rock and roll fever inflicted by screaming, wiggling hip-shaking foreign pop idols dominated by Elvis Presley, Bill Haley, Little Richard, Pat Boone, Doris Day and the Platters. It is more than a love story. It is also a commentary - a satire rich with humor injected into a moral, psychological, sociological, and cultural aspect, outlook, and values of the said bygone era. It is a poignant rich-girl-meets poor boy love story of Julie Monserat and Candido Ventura - two love-struck starry eyed youths who fought for their right to love each other, here is a story that touches social conflict - the perennial clashes and discrimination between the rich and the poor.

After ten years abroad, Catherine returns to Luxembourg, to catch up with her daughter Alba, brought up by Catherine’s mother Elisabeth. Alba is cold and distant with this stranger showing up unexpectedly in her life, so is Elisabeth, keen to keep her protégée to herself. One day, Catherine cannot take it anymore. She kidnaps Alba and takes her on a trip to a lake up North. Begins an unsettling journey into the puzzling world of motherly love, only to find out that sometimes the true opponent is yourself.

Meis is fifteen, lives in the back of beyond and aspires to a grand and stirring life, but all that happens is the passing of the time, waiting for the next car to run into the front of the house.

A contemporary story of love, rejection, and triumph as a young Māori girl fights to fulfill a destiny her grandfather refuses to recognize.

After the death of his mother, a young boy calls a radio station in an attempt to set his father up on a date. Across the country, an engaged woman becomes convinced that they belong together, despite their never having met. Will their paths collide despite the odds?

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

Follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on unexpected and lifelong friendship. CC is an aspiring singer trying to make it in Los Angeles. Hillary is the daughter of a prominent civil rights lawyer who struggles to find her own destiny. Their friendship—even with its ups and downs—sustains them for decades.

Four friends take a road trip to kick back, hit the pubs, and go surfing. Tension builds among the group between Sandy, a quiet young man who is angered by the obnoxious, womanizing Boo who seduces a teenaged girl while on their trip in one of his usual one night stands. Meanwhile, the girl's psychotic dad is also looking for Boo out of revenge for what he did to his daughter. Boo is in for a major wake up call.

Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.

A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.

As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.