Woodpeckers: The Hole Story

As his country is gripped by revolution and war, a Ukrainian victim of the Chornobyl nuclear disaster discovers a dark secret and must decide whether to risk his life and play his part in the revolution by revealing it.

An innovative production from the world-renowned filmmaker and passionate naturalist Heinz Sielmann, Woodpecker (Zimmerleute des Waldes) is an intriguing celebration of these territorial birds known for their distinctive knocking.

Woody Woodpecker enters a turf war with a big city lawyer wanting to tear down his home in an effort to build a house to flip.

After getting kicked out of the forest, Woody thinks he's found a forever home at Camp Woo Hoo — until an inspector threatens to shut down the camp.

A dreamy autumn picnic goes awry when it receives an unexpected visitor.

Woody Woodpecker is a stable boy. The stables are located right in an airfield, and the sound of airplanes droning around only fuels his lust to fly. "I want to fly like the birds!" declares the woodpecker. But the only thing the bulldog sergeant on the airfield feels Woody is competent for is clipping the horses with an electric clipper. And considering that Woody accidentally allows the clipper to clip off the sarge's shirt buttons and a long strip of hair off his chin, he may be giving Woody too much credit. Nevertheless, Woody spends his time reading "How to Fly a Plane from the Ground Up." And eventually, he sneaks onto a PU-2.

On the Pebbley Beach Golf Course, Dapper Denver Dooley and Woody Woodpecker are in a championship playoff. The prize: $25,000. After both contenders make holes in one, a psychological battle begins. Woody crunches celery. Dapper drives himself into a sand trap. Woody proves himself too light for quicksand; Dapper sinks. At every turn, Dapper proceeds to lure and trick poor Woody until Woody's game seems lost. All that Dapper needs to win is a short putt into the cup, but he's seized with a magnificent case of hiccups. Woody wins and hiccups dollar bills!

Gabby Gator, voiced in Kentucky Colonel mode by Daws Butler, is starving. He comes upon a recipe for southern-fried woodpecker and writes Woody a fan letter. Woody shows up to perform an act and about the three-quarter mark, realizes what is going on, and proceeds to take his revenge.

Woody Woodpecker befriends a dog.

Woody goes to a magic show. He chomps popcorn and continually ribs the magician about his "easy" tricks, finally driving most of the audience away. Then the magician calls Woody on stage to "assist" him in a few "tricks," which enables him to get back at Woody for some of his taunts. Then Woody turns the tables, putting the magician under a magic spell. As the magician comes out of the spell, he tries to get rid of Woody by shooting him out of a cannon. But after the shot is fired, Woody's still there. In desperation, the magician climbs into the cannon and fires himself off the stage!

In a field dominated by men, five pioneering camerawomen Mary Rogers, Cynde Strand, Jane Evans, Maria Fleet and Margaret Moth went to the frontlines of wars, revolutions and disasters to bring us the truth. As colorful as accomplished, these brave photojournalists made their mark by capturing some of the most iconic images from Tiananmen Square, to conflicts in Sarajevo, Iraq, Somalia and the Arab Spring uprising. But the world doesn’t know it was these women behind the camera. In the midst of unfolding chaos, the pictures they took for CNN both shocked and informed the world. This feature documentary by director Heather O’Neill tells their remarkable story.

An intimate look at the life, career and process of one of the most accomplished songwriters of all time, Diane Warren.

Za tučňáky, lvouny a velrybami

In the depths of the Great Depression, Franklin Roosevelt appointed Frances Perkins as the first woman on a presidential cabinet. Against overwhelming odds, she became the driving force behind Social Security, the 40-hour work week, the eight-hour day, minimum wage and unemployment compensation. Summoned: Frances Perkins and the General Welfare features compelling interviews with David Brooks, Nancy Pelosi, Amy Klobuchar, Lawrence O’Donnell and others while telling Perkin’s heroic story which explores the history of women in politics, Social Security, our attitudes toward immigration, poverty, Socialism, and the role of government. Without this context our current dialogue is ill-informed and diminished.

Examines the early 1980s Hong Kong filmmaking community. Tony Rayns interviews some of the new generation of filmmakers and figures from the wider film culture.

Based on the book “The Ambidextrous Universe” by Martin Gardner. An eccentric professor explains whether our idea of ​​the symmetrical structure of the universe is still valid and invites the viewers into the world of elementary particles

A physicist, a director of popular-science films, and a sports fan talk about the structure of the atom between periods of a hockey game they watch on TV.

Documentary about Japanese film director Shohei Imamura.

Films beget films. Filmmakers influence other filmmakers constantly. But the most influential filmmaker of all time is Alfred Hitchcock.

Borne out of the anarcho-squatting free-festival scene of the eighties the Levellers have survived over 25 years of music press vitriol, drink and drug addictions as well as many barren years in the wilderness. But the band had seven consecutive gold albums throughout the 90s, sold out their own festival for the last ten years and run their own creative centre, the Metway. Via the eccentric artist, archivist, whiskey loving bassist Jeremy Cunningham we are taken on a journey; how the band rose to fame and how they survived. A potted history of 25 years of subsidised dysfunctionalism. An uplifting tale of battling demons, that reminds us that behind every band there is always a story of struggle for expression, acceptance and survival.