The Kingdom

In an ancient time when majestic fire-breathers soared through the skies, a knight named Bowen comes face to face and heart to heart with the last dragon on Earth, Draco. Taking up arms to suppress a tyrant king, Bowen soon realizes his task will be harder than he'd imagined: If he kills the king, Draco will die as well.

After two American prisoners are killed by guards in the act of escaping from a German POW camp in World War II, barracks black marketeer J.J. Sefton is suspected of being an informer.

In this silent film, a hermit living in the ruins of an old castle spies on and grows obsessed with a young couple building a home by the river.

Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.

When an ornithologist’s funding gets cut, her nurturing of abandoned bird eggs leads to a transformation as her marriage crumbles.

Alexandre Larose creates supernally spectral superimpositions infused with a meteorological mix and the intense lusciousness of the Québec landscape.

A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.

Beautiful young Daisy feels stuck working as a shopgirl by day and caring for her ailing mother by night. A suicide gone wrong leaves Daisy wrongly imprisoned, while the neighbor whose testimony put her away struggles with guilt. A tongue-in-cheek homage to 1950s women-in-prison films.

In 200,000 years of existence, man has upset the balance on which the Earth had lived for 4 billion years. Global warming, resource depletion, species extinction: man has endangered his own home. But it is too late to be pessimistic: humanity has barely ten years left to reverse the trend, become aware of its excessive exploitation of the Earth's riches, and change its consumption pattern.

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

A dirty corrections officer gets involved in a murder plot involving one of the inmates.

The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.

A Man, a Woman and a Boy. Three people in a timeless landscape. They don't know each other, their cultural background is undefined. They try to survive, each on his/her own. Slowly they start to get in some contact which is utterly mistrusting and occasionally hostile, but through various different situations it gradually starts to develop into relationships.

Two boys – the prince Edward and the pauper Tom – are born on the same day. Years later, when young teenage Tom sneaks into the palace garden, he meets the prince. They change clothes with one another before the guards discover them and throw out the prince thinking he's the urchin. No one believes them when they try to tell the truth about which is which. Soon after, the old king dies and the prince will inherit the throne.

A father says goodbye to his young daughter. In time the daughter grows old, but within her there is always a deep longing for her father.

Rudransh is a historical drama that follows the legacy, valor, and unseen journey of a great Maratha king. The film blends research-based storytelling with emotion and cinematic vision to bring the spirit of the Maratha Empire to life.

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history: two beautiful sisters, Anne and Mary Boleyn, driven by their family's blind ambition, compete for the love of the handsome and passionate King Henry VIII.

In pre-unified China, the King of Qin sends his concubine to a rival kingdom to produce an assassin for a political plot, but as the king's cruelty mounts she finds her loyalty faltering.

The strong bond between two Royal Egyptian brothers is challenged when their chosen responsibilities set them at odds, with extraordinary consequences.