A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.
Rival gangs are fighting for control of Hamburg's notorious harbor district, spreading fear and terror in the process. In the streets, houses and clubs, the thriller shows the lives of a handful of people whose fates will be decided within 24 hours.
Alessandro has a thing or two to learn. Carroll Baker, in her role, is the perfect teacher.
Two Florida high school vixens hatch a murderous plan to win an inheritance, but they hadn't bargained for an escalating whirlpool of blackmail and sexual games with a sleazy insurance investigator who has his own plans for the money.
Written by Jose Javier Reyes. Produced by Regal Films. Starring Barbara Benitez, Lito Gruet, and Charito Solis. Opened on February 22, the first day of 1986 EDSA People Power Revolution.
Peter brings his new girlfriend Anja up to C. von Ficker's (i.e. Fucker's) flat, but their tryst is repeatedly disturbed by various events in the building. To calm the jittery Anja, Peter relates a series of erotic stories to put her back in the mood.
On idyllic Königsee the impotent Scot McFitz searches after a fabled potency enhancing plant. Soon, the news is talking about and the whole village goes off in search of the pleasure-promoting herb
The Italian driver Caruso, who usually secretly spoils the daughter of his boss, Oskar Schnell, is sent on the trip with his buddy Klaus. However, the boss doesn't suspect a bit that the two make plenty of erotic stops.
After her husband runs off with his secretary, Terry Wolfmeyer is left to fend for herself -- and her four daughters. As she hits rock bottom, Terry finds a friend and drinking buddy in next-door neighbor Denny, a former baseball player. As the two grow closer, and her daughters increasingly rely on Denny, Terry starts to have reservations about where their relationship is headed.
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".
Seventeen-year-old Shirley is a good student who works as a babysitter in order to make money for college. One night Michael, a father Shirley works for, confesses he's unhappy with married life. Shirley has a crush on Michael, and seizes this moment to kiss him. Michael is so happy he presents Shirley with a big tip, which gives her an idea. Shirley plans to make extra money by setting up her teenage friends with other unhappy fathers.
A commitment-averse man frantically hits the dating scene after his girlfriend starts pressuring him to pop the question.
Mia, an ex-prostitute, is trapped in a loveless marriage with the abusive Quan (Sunny Pang, who also stars in Headshot in this year’s Festival lineup), a butcher who runs a roast meat shop. When she meets sensitive funeral director Wu, their passion for one another escalates into an affair. But the path to true love is fraught with jealousy, forcing someone to make a deadly move.
Hold your breath! Two women have begun their bloody fight to survive. Seon-yeong, who works as a copywriter, go on a camping trip with her friend Eun-mi and Yeong-sik, a prosecutor, who is in love with her. The group meets a mysterious looking man, Tae-ho, while they hike up to their camping ground on the mountain. Tae-ho, a freakish murderer who grow poppies, destroy their innocent hope to have a great time camping. And to make things worse, a group of unknown people who chase down Tae-ho is after them as well. The two women, Seon-yeong and Eun-mi are left in the midst of mayhem where they have to fight against the bloody rampage of murder and sex. Will the two women be able to go back to their normal daily life?
A color-blind psychiatrist is stalked by an unknown killer after taking over his murdered friend's therapy group and becomes embroiled in an intense affair with a mysterious woman who may be connected to the crime.
When an elderly millionaire is found dead with cocaine in his system, his will leaves $8 million to Rebecca Carlson, who was having an affair with him. District attorney Robert Garrett decides to prosecute Rebecca, arguing that she deliberately engaged in wild sex with the old man to overexcite him and lead to his premature death. Defense attorney Frank Dulaney defends Rebecca in court while getting sucked into a dangerous affair with her.
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.