The Crime of Cacaro Gumaro

MISERY LOVES COMPANY is a film about personal growth and emotional understanding in the guise of a dark romantic comedy. Brian Norton (Peter O'Brien) is a broken-hearted projectionist with a chip on his shoulder. After getting dumped by his current love interest, Alison (Priscilla Wilson), he inverts to a retrospective state in search of the source of his dilemma, but when your reality is primarily fantasy, it's easy to lose sight of things. Brian struggles for understanding as his best friend, Cliff (Steven Bendler), encourages him to put his emotions aside and focus on friendships instead of relationships. It is through Cliff that Brian meets Veronica (Carly Ballister) and his inner conflict begins. His problems are exacerbated by the adolescent advice of his friends, Les (Shawn Stephens) and Wayne (Konrad Mann). What follows is an exploration of options, expectations and experiences that serve to remind Brian of one thing... You're never as alone as you feel.

A group of young boys must decide whether to buy a TV set to watch the launch of Apollo 11 or visit Uranya to learn about the secrets of love.

A sheriff's shootout turns into an adventure through the wondrous world of film.

Pete Riley is a 17-year-old who lands a part-time job at a multiplex in his neighbourhood. He and his friends are excited when it's announced that the theatre will play host to the premier of a major motion picture, with a number of Hollywood celebrities in attendance. However, when the big night comes, Pete has to contend with disappearing staff, malfunctioning equipment, and a broken popcorn machine.

A determined young boy living in a small village strives to obtain enough money to purchase a ticket to the cinema.

Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business—a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.

Two 'very straight' old timers have to learn how to pass as a loving gay couple after falsely claiming same-sex status to take advantage of newly legislated tax laws.

Cinema Express

A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.

Low-budget independent filmmaker Nick Reve tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious beret-wearing director of photography, and lousy catering.

An award-winning comedy set in a depressed town in the South Wales Valleys. When the local cinema is closed down, the former projectionist, plagued by money problems, devises an ingenious plan to make money.

Capturar (Las 1001 novias)

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

Handbook of Movie Theaters' History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future. The mission of Handbook of Movie Theaters' History is to explore and give back to the audience a deep reflection about the identity and the value of movie theater, in its social and anthropological role and as a mass media, and to analyze the experience of the viewer.

The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.

A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.

Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.

An innocent man walks through San Francisco clueless to the fact that the Blue Angels are in town practicing their air show. After several encounters with the city's more colorful characters, our hero snaps and runs amok, seeking shelter from the unknown terror above. The movies are just around the corner! Or in our hero's case, he's on their corner.

While rehearsing the annual play, a clerk tries to regain the attention of his beloved, in a comedy of equivoques.

Vane and Lore are two lovers of cinema. Between juices and pizzas they hold animated gatherings about the seventh art.