Love and Germophobia

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

James Bond tracks his archnemesis, Ernst Blofeld, to a mountaintop retreat in the Swiss alps where he is training an army of beautiful, lethal women. Along the way, Bond falls for Italian contessa Tracy Draco, and marries her in order to get closer to Blofeld.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.

In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.

A mysterious video has been linked to a number of deaths, and when an inquisitive journalist finds the tape and views it herself, she sets in motion a chain of events that puts her own life in danger.

A gently humorous look at otherness and xenophobia in modern day German with this tale of a black Berlin teen named Leroy who rediscovers his roots after falling for a pretty white girl and meeting her racist family.

A mad scientist creates a monster called "Mosaico," who breaks out of the laboratory to hunt down and kill beautiful women.

A doctor (Vishnuvardhan) falls in love with his student (Suhasini) but fails to tell her about his feelings. When he finally musters courage to tell her she tells him that her marriage is fixed to Jai Jagadeesh. Vishnuvardhan cannot forget her and slowly withdraws into a shell. Meanwhile, Jai Jagadeesh starts suspecting his wife because she gives importance to hospital and starts misbehaving with her. Suhasini discovers that Vishnuvardhan is terminal and may not survive for long. She starts taking more care of him in hospital. This frustrates her husband even more and he fights with Vishnuvardhan. Suhasini goes home to explain to her husband but discovers that her husband has abused the maid. She decides to leave him but Vishnuvardhan tries to convince her husband that his relationship with Suhasini is pure. Jai Jagadeesh misbehaves with Vishnuvardhan and Suhasini gets hurt while trying to make sense with her husband. Finally Vishnuvardhan dies saving her baby.

In the not-so distant future, researchers at a deep-sea laboratory have finally invented a time machine. Head researcher Woo-seok is promised funding from a mega-corporation if he completes a test flight. He and Young-eun carry out the mission and travel to 11 A.M. the next day, only to find the base on the verge of collapse. All the researchers are gone and someone is out to kill them.

A deck-chair attendant at a British resort promotes a film festival featuring a French sexpot.

Suk-Jin became a popular PD of a newsroom by breaking a story on unsanitary food, but the story turned out to be false. He then lost his job as a PD.Several years later, he comes back as a PD for a cultural division at a network. The new CEO of the broadcasting station privately asks Suk-Jin to make a documentary on a terminally ill man and his wife. The CEO promises to make him a director if the program receives high ratings

Covering over 100 years of cinema, this is a journey of discovering and exploring the magic of cinema from a personal perspective. Looking at the changes and developments of cinema Thomas explains how film has deeply affected his life as a person and a filmmaker.

Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs -- and it's absolutely impossible to contain.

The program on this DVD is basically a retrospective produced in the early 1990s for public television that was originally called «A Bing Crosby Christmas: Just Like the Ones You Used to Know» that was narrated by Gene Kelly and hosted by Bing's widow, Kathryn Crosby. The program itself features clips from fifteen of Bing's classic television specials, concentrating on the period from the early 1960s onwards when he included Kathryn and their three children in the programs.

Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...

A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.

When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.