The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
The making of CHESS - from first reading to first night.
An examination of the choreographed fight scenes and bizarre costuming.
Features the editing and scoring processes, a proposed narration by Orson Welles, and some of the controversies inherent in the film's release.
This documentary is a detailed look into the making of PET SEMATARY, one of the most enduring cult-horror classics of our generation.
Play God is a humorous documentary that neither apologizes nor whines but simply recounts, with brutal honesty, the story of a failed splatter film project.
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
Behind the scenes documentary on the making of the film.
Pamela Anderson Lee hits the screen in her new sci-fi action thriller that’s got everybody… talking. Now you can get a look at her in never-before-seen, behind-the-scenes footage.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
From the ambitious young filmmaker behind Boundless, The Weaving of a Dream is a short documentary that details the making of Johnnie To's film Three.
Split into three parts and featuring interviews with the crew of SOUTHLAND TALES, including Richard Kelly, the story of how this film was made, screwed over in post-production and still technically is unfinished is told.
Jason Bateman, Laura Linney and other cast members open up about the show's characters and creators, plus what they'll miss most.
A documentary on Fellini’s lost alternate ending for 8½
Nagisa Oshima interviews Akira Kurosawa, leading him to share his thoughts about filmmaking, his life and works, and numerous anecdotes relating to his films and his various film activities.
A documentary about the third series of Red Dwarf (1989).
This documentary treats movie fans to a behind-the-scenes look at the making of Max Keeble's Big Move, about a young boy who uses his imminent move to another town as his big chance for revenge on everyone who's tormented him, only to have his plan backfire. Included are interviews with the cast and crew who talk about the experience of making the film, as well as all of the effort that went into it.
A tour of the exotic locations of 'Goldfinger'.
This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.