One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
Based on real events, Canada's most notorious serial killers, Paul Bernardo and wife Karla Homolka kidnap, sexually abuse, and murder three young girls.
When Gośka meets Grzesiek online, she's sure he's her Mr. Right. Grzesiek is crazy about her, showers her with flowers, and proposes in Venice, but soon enough, the picture perfect romance starts to crumble, revealing a darker side.
Mauve is the color palette Monet used to represent his wife Camille Doncieux on her deathbed. It's also the color palette of suffering and complex trauma; of visible and invisible bruises, from the female gaze. MAUVE, “La piel malva” in its spanish title, is an audiovisual diptych about the depth of the emotional wounds of domestic violence; the same one that the surrealist Dora Maar lived with the minotaur Picasso. "Mauve" was a finalist in the Filminuto category of the Mobile Film Latam of the Conservatorio Audiovisual de Colombia in 2022.
Dolores Claiborne was accused of killing her abusive husband twenty years ago, but the court's findings were inconclusive and she was allowed to walk free. Now she has been accused of killing her employer, Vera Donovan, and this time there is a witness who can place her at the scene of the crime. Things look bad for Dolores when her daughter Selena, a successful Manhattan magazine writer, returns to cover the story.
A cynical NYPD domestic violence officer ends up falling in love with a woman running away from her obsessive and abusive husband.
After her father unexpectedly hits her, a young girl decides to toughen up.
Gifted but hot-headed sculptor Eric has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.
The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug addict and Raymond kicks him out of the house, making him live on his own. Raymond is generally a rough and even violent person, and that leads to problems in the life of the family.
Trapped in a cycle of abuse, a woman's fractured psyche blurs the line between reality and hallucination as she fights to reclaim her body and sanity from her controlling boyfriend.
Frustrated by the liberal left and what he deems the destruction of the country he risked his life for, reclusive veteran Quint North (Schneider) is ordered by the court to keep his distance from the local high school with the American flag on the back of his El Camino or face a fine and jail time. In an ultimate exhibition of patriotism, he sets forth a series of events that just may get him killed in his own front yard.
A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
Valerie faces the challenge of leaving an abusive relationship with the help of her two friends.
Debbie, a working class single mother from Leeds, moves her family to Bradford, where they find themselves in an ethnic minority. Daughter Leah must adapt to being the only white girl at school.
Christine, a victim of domestic violence, escaping and wandering the streets of São Paulo. In her drift, she experiences situations because she is a woman and meets other women who reflect on the need to think about cities from a gender, race and class perspective to denaturalize violence against women both in public and in domestic places. The morning after escaping, Christine returns home to take revenge on her aggressor with the help of the woman she has encountered.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
MARIE
A young police woman is faced with the difficulties between her responsibilities at work and her personal responsibilities.
In the 1970s, a bubbly photographer falls in love with a charming man, only to realize that he's not the person she believed him to be.