Más de La Ruta, el documental

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.

In 1970s California, a serial killer dumps young boys' bodies along the freeways. An L.A. street reporter on the case receives information that embroils him in the dilemma of a lifetime. Decades later, lost confession tapes help experts uncover the truth.

Primer y Último

Tabu, propriedade privada

The iconic design of the Boeing 747 has endured for over 5 decades, but the end of production is looming. In this documentary special we follow the build of this last aircraft, whilst exploring how the 747 truly changed the world and influenced our lives in ways we never even realised.

Masones: Los hijos de la viuda

Dueño del tiempo

Marcos y Vida

TVM en Torres del Paine

MY TRUTH

Revista 8 (Apuntes del 36 al 39)

Os suevos

Ale left her mother's house at the age of 12 because she felt she did not belong then, now at the age of 20 she lives in constant resilience. Realizing that she is repeating her mother's patterns, she embarks on a reflection of the decision-making power she now has.

At the age of 17, she had the opportunity to appear on television, but she didn't, due to her insecurities. Sylvia remembers it as the day she almost fulfilled her dream of being famous thanks to her own songs. Using a camera that was at her side at all times, she documented her entire life: her children's childhood, her days as a physical education teacher, family vacations, but above all the private moments, where she allowed herself to act, sing and talk to a public that was not there.

Toni 2001

A la porra

Making of Pausa

A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.

Audiovisual essay about walking through the streets of Lisbon. It explores discrimination and moving through spaces where one is not welcome.

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