First Cousin Once Removed

An immersive documentary about four nurses working in retirement houses in Alzheimer units. Near to Claire, Luca, Antoinette and Lika, we discover how the nurses work, how the care is possible, with patience, ability, intelligence, tenderness and love.

Australian artist Leon Pericles faces his greatest challenge: holding an exhibition of his life's works while facing the mental decline of his wife and collaborator Moira, as Alzheimer's disease turns their world upside down.

Milan Rúfus

sucking on words is a documentary film that features interviews with, and extensive performances by, the American poet Kenneth Goldsmith. It also features critical commentary on his intense and ground-breaking conceptualist practice from three of North America’s leading voices on avant-garde poetics. Shot on location in New York in 2007, the lively conversations featured in sucking on words are an ideal introduction to Goldsmith’s witty and provocative works, which are already regarded as hallmarks of 21st-century literature. The film showcases readings from some of his notorious books: No.111 (found phrases ending in the ‘r’ rhyme and filtered alphabetically by syllable count); Soliloquy (a transcription of every word Goldsmith spoke for a week); Day (a retyping of one day’s New York Times newspaper); Traffic (one day’s worth of hourly radio traffic bulletins); and The Weather (one year’s worth of radio weather bulletins).

At underground film of the 1st Popular Festival of Catalan Poetry filmed in the Proce Theater in Barcelona on May 25, 1970, in solidarity with political prisoners. The participating poets were: Agustí Bartra, Joan Oliver (Pere IV), Salvador Espriu, Joan Brossa, Francesc Vallverdú and Gabriel Ferrater.

Hasan Hourani, a Palestinian poet and illustrator, died aged 29 in Jaffa while trying to rescue his nephew from the sea. Shortly after, the filmmaker Mais Darwazah discovers his drawings and poems and feels drawn to Hourani's world— a universe outside space and time; a place of wonder, discovery, and freedom. Motivated by this kinship, Darwazah embarks on a journey to her homeland, Palestine: a place she has never known.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

Poets from all walks of life speak their truth through their poetry. A film about poetry by award-winning Gina Nemo, Poet, Writer, Filmmaker, Award-Winning Singer & Actress.

Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.

A fourteen-minute documentary splitted in two parts where we can see Anne Sexton at her home reading, talking about poetry and about her family.

Fadil is an Iraqi refugee who works as a telephone interpreter. From his attic room he translates calls between refugees and government agencies. At the start of every contact, he says: ‘I am your interpreter, I am impartial and will not interfere with this conversation.’ Even though Fadil lives in the Netherlands with his family, he knows people who still reside in war zones. How does it affect him when the witnessing of these conversations confront him with various dilemmas and let him relive his own past?

A visual poetry short film, inspired by and featuring the poem "Knickknacks" by Tuesday Taylor York.

In Song of Myself (Section 51) we meet Thomas Michael Smith- a retired social worker, sign language interpreter, openly gay deacon in the Catholic church, and part time drag queen. Over a tour of his space, he shares what life containing multitudes looks like for him.

The memory of the poet Vicente Aleixandre remains silent at No. 3 Velintonia Street. Home of a Nobel Prize in Literature 1977, it also recalls the joy of Lorca and other members of Generation´27, the pain of civil war and post-war, and became a meeting point for most writers in 20th century Spanish Literature, now is abandoned and for sale. This documentary recreates its story and spirit.

A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.

Marcos y Vida

A short documentary film about poet brothers Kai and Anders Carlson-Wee hopping freight trains across the country. Shot over the summer of 2013 on the Burlington Highline route from Minneapolis, Minnesota to Wenatchee, Washington.

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.

The son can't stop wondering. What is dad going to do after retirement? So he starts filming him. Dad wants to have a shot at becoming a street artist in Montmartre, Paris, a longtime dream of his. To the mother, it sounds like just another absurd dream. Anyhow, 2 years later, the father puts his plan into action and sets off for France. Right until his departure, the mother doesn't know what to make of it. While dad spends one month as a street artist, the son and mother follow him to Paris...

Petr Michal‘s meditative documentary follows the current life of an esteemed Czech literary translator, Anna Karenina. The film largely treats the relationship with her late husband, poet Petr Kabeš, and the feeling of loneliness she has been facing since his death. It is definitely not a conventional documentary portrait, since the director does not ask questions, and instead lets Karenina voice out her thoughts and feelings, observing her with a casual camera during work or on her mountaineering trips. The film also serves as an implicit proof of love to analogue medium: not only the book, but analogue film as well, with its invisible, yet almost tangible features.