Thanks for the Ride

Ali must lie and say she is her wife's sister so she can be with her in the hospital. Through Ali's memories, we see the women's relationship develop as Ali faces the truth in the present.

Rajesh and Suna agree to meet to discuss their marriage suitability. Is there marriage on the menu, or just coffee?

Four years after the end of the German Democratic Republic, Katarina Witt, two-time Olympic champion, is planning her comeback to prove to herself and to a united Germany that she still has what it takes. To do this, she has to team up with her former coach Jutta Müller and complete the toughest training of her life.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Rebecca Sugar's thesis film from New York’s School of Visual Arts.

Ten years ago, Ginny, an Architecture student, and Marco, a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco’s unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life.

Mary was a good girl until she decides to kill all the "sexist pigs". She of course encounters many of which, and enjoys killing them.

Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.

When a dysfunctional group of unpublished writers accept Hannah into their fold, the last thing they expect is her overnight success. Can these lovable misfits achieve their artistic dreams and avoid killing one another in the process?

Natalie and Joshua appear to be the picture-perfect couple, but looks can be deceiving. When Natalie discovers her husband has led a secret life, she is forced to deal with losing everything she loves. Newly divorced and soured on relationships, Natalie is picking up the pieces of her shattered world. In the process of healing, she meets a new man who challenges the boundaries of her trust and her ability to fall in love again.

Little Billy’s life is tormented by his scheming aunt who drags him daily to the cemetery and forces him to clean his uncle’s headstone. There Billy meets Myrtle, a little girl ghost stuck between the worlds of the living and the dead. Freeing Myrtle means losing the only friend Billy has ever had.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

The arrival of a handsome new farmhand threatens the balance between a farmer and his daughter.

Agnes, a teacher from the Hessian provinces, has come to Berlin to identify a dead girl who might be Lydia, her runaway daughter. It turns out not to be Lydia, but Agnes stays in the city anyway. Still frantically looking, she comes a young stray called Ines who no longer leaves her side...

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.