Zinda Dil

Puran, a wealthy young man, falls in love with Asha, who is poor. He insists on marrying her despite his family's strong disapproval due to their class difference. The story follows his persistent efforts to overcome this opposition and marry Asha.

Hindi film from 1955

A young boy. A quaint hilly town. Everything that can go wrong will go wrong. Perhaps, that is what metamorphosis needs.

Vishal and Jyoti come from different backgrounds, but fall in love, and in spite of oppositions from both the couples' sides, are married. After marriage, they settle down to some wedded bliss, but misunderstandings create problems. These problems persist even when Jyoti gives birth to healthy baby boy, Lucky (Master Lucky). Jyoti and Vishal also own a former winning racehorse, and Vishal is a jockey, who used to ride him. Due to failing health, Vishal has been advised by his doctor not to ride anymore. Lucky grows up and his parents separate, and Lucky lives with his dad. He is brought up to think that his mom has passed away. So when Jyoti re-enters his life, she is introduced to him as "aunty". Will Lucky ever come to know of his real mother? Will Vishal ever to able to ride again? Will Jyoti and Vishal patch up their differences in the interest of their son?

After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.

Two travelers are in search of a flying-craft, which they believe could possibly take them to the ultimate escape from the cycle of births. On their way they record their memories, dreams and fears on a sound-recorder and in a notebook.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

A middle-aged antique dealer and money lender recollects his marriage to a 17-year-old orphan girl.

A group of ghosts reside in an old house and live in harmony despite cultural differences. However, when they learn that a builder plans to demolish the building, they band together to stop him.

Circumstances force a mill worker with a sick child to take the law into his own hands. It is only when he arms himself with a gun and storms into the hospital that people begin to notice his plight.

A sleazy film director's decision to shoot his latest erotic horror movie in a notorious haunted house angers the vengeful spirit of its past inhabitant.

Two petty thieves face-off against gangsters, bandits and police after forging a treasure map.

A love triangle forms after a male finds his best friend has married his sweetheart.

Three aspiring music artistes endanger their lives after they get into the bad books of a gangster.

It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.

Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.

The year is 1938, and Mahatma Gandhi's groundbreaking philosophies are sweeping across India, but 8-year-old Chuyia, newly widowed, must go to live with other outcast widows on an ashram. Her presence transforms the ashram as she befriends two of her compatriots.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

Gunchakkar